Pictorial Portraits Using Digital Techniques
Course final project
A course by Alex de Marcos García , Illustrator
About the final project for: Pictorial Portraits Using Digital Techniques
Pictorial Portraits Using Digital Techniques
“Dear student, the course ends here, but the path of knowledge continues! I am in the forum to accompany you on this journey in everything you need. Illustrators are the new rockstars!”
Partial transcription of the video
“We've completed this Domestika course on painting pictorial portraits using Photoshop. It is my wish that have mastered the techniques taught here and feel inspired to embark on your own creative projects. As we conclude. let's take a moment for a brief recap of what we've covered today. In this course. i shared my personal journey. highlighting the artists who inspire me daily and passion for painting and illustration. We covered all the key points. starting with my influences and how We've reviewed the materials required for this course. and I demonstrated my Photoshop workspace setup and...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Pictorial Portraits Using Digital Techniques
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Digital Illustration, Digital Painting, Portrait Drawing

Alex de Marcos García
A course by Alex de Marcos García
Madrid-born artist Alex de Marcos has dedicated himself for over 10 years to illustrating pieces for all areas of illustration, from creations for the publishing market to advertising pieces for agencies in different countries. His works have been printed in children's books, Kurt Cobain's biography, stickers for Instagram, advertising for Coca-cola, Nike, Fnac, Bombay, and many other renowned brands.
He has painted paintings for film decoration such as the Spanish film Get Her... If You Can and murals for Mercedes Fashion Week and the Madrid City Hall. He has been recognized internationally with different awards, including Silver in the illustration category at ADCI (Italy).
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