Illustration of a Pin-Up with Traditional Techniques
We use the color black
A course by Fernando Vicente , Painter and Illustrator
Joined November 2013
Joined November 2013
About the video: We use the color black
Overview
“In this lesson I show you how I use the color black in the illustration. ”
In this video lesson Fernando Vicente addresses the topic: We use the color black, which is part of the Domestika online course: Illustration of a Pin-Up with Traditional Techniques. Learn to draw and color with pencil, charcoal, and sanguine with guidance from a maestro.
Partial transcription of the video
“[Silence] Well, now let's do the black. That in this drawing there are many black areas. On the one hand, the hair, eyelashes and eyebrows. The bikini top and panties, that we are going to mark it a little more, because finally yes we are also going to make the stockings, which are unmarked and we want to know how far they go. [Silence] So for the black... I, after many years and trying many paints, I have come to the conclusion that the matte black that gives An industrial painting is the one I like the most. There are many blacks, there is high quality acrylic paint with a black color, bu...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustration of a Pin-Up with Traditional Techniques
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Category
Illustration -
Areas
Drawing, Fine Arts, Painting, Pencil Drawing, Traditional illustration
Fernando Vicente
A course by Fernando Vicente
Fernando Vicente is a renowned illustrator with extensive experience in the advertising sector. He regularly publishes work in the El País newspaper and magazines, including the cultural magazine Babelia, and he has won three Awards of Excellence from the Society for New Design.
He also collaborates with magazines such as Vogue, Playboy, and Cosmopolitan, makes book and record covers, illustrates books for children and adults, and exhibits his paintings. One of his favorite themes is the pin-up style.
Fernando Vicente's work as a painter is characterized by the constant presence of the human figure. He paints in acrylic and always works standing in front of the easel, even when illustrating. He only uses the computer to add details such as fonts or background colors or to make collages.
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