Illustration of a Pin-Up with Traditional Techniques
materials
A course by Fernando Vicente , Painter and Illustrator
Joined November 2013
Joined November 2013
About the video: materials
Overview
“Do you want to know the materials I use? You only have to see the next video where I tell you.”
In this video lesson Fernando Vicente addresses the topic: materials, which is part of the Domestika online course: Illustration of a Pin-Up with Traditional Techniques. Learn to draw and color with pencil, charcoal, and sanguine with guidance from a maestro.
Partial transcription of the video
“Well, the materials that we are going to use both to make the sketch and to make the original, Logically it is paper and pencil, which are the basic tools of any illustrator. Sketch paper, practically any will do, I recommend having an album because well, you can tear off some leaves, but the ones that don't start stay there and it's a place where you can throw him a glance from time to time, recover old ideas, etc. As for the pencils... Well, I think it depends a bit on taste. There are various hardnesses. The very hard pencil logically marks very little. and the softer ones score much mor...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustration of a Pin-Up with Traditional Techniques
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Category
Illustration -
Areas
Drawing, Fine Arts, Painting, Pencil Drawing, Traditional illustration
Fernando Vicente
A course by Fernando Vicente
Fernando Vicente is a renowned illustrator with extensive experience in the advertising sector. He regularly publishes work in the El País newspaper and magazines, including the cultural magazine Babelia, and he has won three Awards of Excellence from the Society for New Design.
He also collaborates with magazines such as Vogue, Playboy, and Cosmopolitan, makes book and record covers, illustrates books for children and adults, and exhibits his paintings. One of his favorite themes is the pin-up style.
Fernando Vicente's work as a painter is characterized by the constant presence of the human figure. He paints in acrylic and always works standing in front of the easel, even when illustrating. He only uses the computer to add details such as fonts or background colors or to make collages.
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- Level: Intermediate
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