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    Cinema, color and creativity: how Christmas movies build their visual universe
    Latest blog post

    Cinema, color and creativity: how Christmas movies build their visual universe

    The visual universe of Christmas: color, light and art direction in cinema. Christmas is not only celebrated: it is also seen. Warm lights, intense colors, sparkling snow and cozy scenery are part of a visual imaginary that we recognize instantly. Christmas cinema has been key in the construction of this collective aesthetic universe, using color, light and art direction as fundamental narrative tools. Through decades of films, live-action and animation, visual codes have been consolidated that arouse very specific emotions: nostalgia, warmth, magic or humor. Have you ever wondered what colors make you feel that it's Christmas already?. Iconic color palettes in Christmas cinema. Christmas cinema works with a very recognizable chromatic language, although not always obvious. The classic red, green and gold continue to be protagonists, associated with the festive, the familiar and the traditional. They are joined by other equally powerful tones: - the white of winter, - the cold and nostalgic blues, - the warm yellows and golds that evoke home and shelter. Some clear examples: Home Alone. Warm interiors, soft lighting and an almost Victorian aesthetic turn the house into another character. The palette reinforces the feeling of security and familiar mood. The Holiday It contrasts the coldness of winter with soft colors and natural light, creating an intimate and emotional atmosphere that accompanies the characters. Klaus A predominantly cold palette that evolves with the story. The expressive use of light and shadow builds emotion without the need for chromatic excess. Elf or How the Grinch Stole Christmas. Extreme saturation is used as a comic device, exaggerating the Christmas spirit to the limit.

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Saúl Mora Jurado

Saúl Mora Jurado

@chul

Mexico City, Mexico

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Saúl Mora Jurado

Courses

  • Introduction to Unreal Engine 4 for Scene Design. 3D, and Animation course by Guillermo Moreno
    Domestika Basics 5 courses

    Introduction to Unreal Engine 4 for Scene Design

    By Guillermo Moreno

    3D, and Animation

  • Introduction to Affinity Photo. Photography, and Video course by Carlos Jimenez Varela
    Domestika Basics 4 courses

    Introduction to Affinity Photo

    By Carlos Jimenez Varela

    Photography, and Video

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Course lists

  • 3D Animación y videojuegos 3D Animación y videojuegos 3D Animación y videojuegos

    3D Animación y videojuegos

    A list by Saúl Mora Jurado

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  • texturas

    texturas

    A list by Saúl Mora Jurado

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Projects

  • Mi Proyecto del curso:  Flame Girl. 3D, Character Design, Character Animation, 3D Modeling, 3D Character Design, and 3D Design project by Saúl Mora Jurado - 08.24.2021

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  • Saúl Mora Jurado – @chul
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Schools

  • UNITEC Universidad Tecnológica de México

    UNITEC Universidad Tecnológica de México

    Mexico City, Mexico

    2016 - 2020


Joined January 2020
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  • Mi Proyecto del curso:  Flame Girl. 3D, Character Design, Character Animation, 3D Modeling, 3D Character Design, and 3D Design project by Saúl Mora Jurado - 08.24.2021

    Mi Proyecto del curso: Flame Girl

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