Repsol Guide
Guía Repsol
by offbeat estudio @offbeatestudio
- 252
- 7
- 2
(Automatically translated from Spanish) Show original
Introduction
Introducción
There are projects (very few) that you can work on calmly. And others that require you to squeeze the most out of every workday, because you have so few to make it happen. This belongs to the second type, a truly urgent one. Repsol needed us to create 30 seconds of animation in just one week, and that meant we had to work as dynamically as the rhythm of the piece itself. And with an incredible team, of course.
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There are projects (really few) that you can work on calmly. And others that require you to squeeze every working day to the maximum because you have very few to make it happen. This one belongs to the second type, a really urgent one. Repsol needed us to make a 30-second animation in just one week, and that meant working as dynamically as the rhythm of the piece itself. And with an incredible team, obviously.
Hay proyectos (realmente pocos) en los que puedes trabajar con calma. Y otros que te exigen exprimir al máximo cada jornada de trabajo, porque tienes muy pocas para hacerlo realidad. Éste pertenece al segundo tipo, uno realmente urgente. Repsol necesitaba que hiciéramos 30 segundos de animación en solo una semana, y eso nos supuso trabajar de forma tan dinámica como el ritmo de la propia pieza. Y con un equipo increíble, obviamente.
......
There are projects (really few) that you can work on calmly. And others that require you to squeeze every working day to the maximum because you have very few to make it happen. This one belongs to the second type, a really urgent one. Repsol needed us to make a 30-second animation in just one week, and that meant working as dynamically as the rhythm of the piece itself. And with an incredible team, obviously.
Materials
Materiales
Adobe Photoshop, Adobe After Effects, Toon Boom Harmony
The corridor
El corredor
The best poses from our favorite fragment, the runner.
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The best poses from our favorite fragment, the runner.
Las mejores poses de nuestro fragmento favorito, el del runner.
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The best poses from our favorite fragment, the runner.
Rough animation
Animación rough
Rough animation de la primera parte de la pieza.
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Rough animation of the first part of the piece.
Finished animations
Animaciones terminadas
Gifs of various animations, already cleaned and in color.
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Gifs of various animations already cleaned up and in color.
Gifs de varias animaciones ya limpias y en color.
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Gifs of various animations already cleaned up and in color.
Complete piece
Pieza completa
Finally, the complete piece!
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Finally, the complete piece!
¡Finalmente, la pieza completa!
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Finally, the complete piece!
Credits
Créditos
Agency: DDB
Script: DDB
Address: Offbeat Studio
Production: The Mushroom Company
Executive Producer: Guillermina Trejo
Art direction and illustration: Urkulo
Animation: Goyo Moreno, Franco Rampoldi
Composition: Pablo Crespo
Client: Repsol
Agencia: DDB
Script: DDB
Dirección: Offbeat Estudio
Producción: The Mushroom Company
Productora ejecutiva: Guillermina Trejo
Dirección de arte e ilustración: Urkulo
Animación: Goyo Moreno, Franco Rampoldi
Composición: Pablo Crespo
Cliente: Repsol
2 comments
miguelon
Staff PlusWhat an amazing project! Thanks for showing the whole process.
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offbeatestudio
Teacher Plus@miguelon Thank you very much! It was a bit of a rush but it still turned out well.
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