Best seller

Procreate: Creative Illustration Techniques

Cleaning up sketch 1

A course by Vero Navarro , Illustrator

Best seller

99% positive reviews (888)

29,314 students

Audio: Spanish, English

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About the video: Cleaning up sketch 1

Overview

“We have our quick sketch and have created (or searched for) the reference images we need. Now we only have to pass our drawing to clean. By the way, let's see what Procreate tools can help us in this phase.”

In this video lesson Vero Navarro addresses the topic: Cleaning up sketch 1, which is part of the Domestika online course: Procreate: Creative Illustration Techniques. Learn to use the tools of the app and an iPad to bring your illustrations to life.

Partial transcription of the video

“Cleaning the sketch We now have the concept of our final illustration and reference images to avail ourselves of. Next we will use the Procreate tools to clean up our drawing. Let's get to it. I will start by creating the canvas of what will be my final project. I tap on the plus symbol and I create a new custom size. I will select a 4 x 5 ratio, because it is a personal project, not for a client, so I will probably upload it to my social media. The 4 x 5 format is the most common for Instagram, so I noted down a measurement that follows that proportion, which is 3300 x 4125, in pixels, whi...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Procreate: Creative Illustration Techniques

Level: Beginner
99% positive reviews (888)
29314 students
5 units
33 lessons (7h 43m)
7 downloads

Category
Illustration
Software
Procreate
Areas
Digital Drawing, Digital Illustration, Traditional illustration

Vero Navarro

A course by Vero Navarro

Teacher Plus

Illustrator

Vero Navarro is an interdisciplinary illustrator from La Mancha, Spain who now lives in Valencia. In her early days, she illustrated manually until she tried Procreate and made an almost immediate jump towards digital formats. She started experimenting with other styles, from comics to Sumi-e watercolor to hyperrealism.

She has been working as a freelancer for more than ten years, making book covers for Arturo Pérez-Reverte, Albert Espinosa, and Aránzazu Serrano. Also, she has done projects for Formula 1 teams, independent film festivals, and private commissions.

In addition, she has collaborated with publishing houses such as Penguin Random House, Grijalbo, Alfaguara, Montena, RBA, Triskel, Green Bean Books, and more.