Traditional and Digital Illustration: from the Sketch to Printing
What materials do you need?
A course by Ustudio Mol+Carla , Designers and Illustrators
About the video: What materials do you need?
Overview
“It is important that we know well the materials with which we are going to work and what values our experience with them. It will help you get a clearer idea of what it is you need. -Rollulators and pens. -Pinceles and company. Types and characteristics. -Rubber engraving, rubber eva, anilines and scalpel or scissors. -Papeles and their characteristics. ”
In this video lesson Ustudio Mol+Carla addresses the topic: What materials do you need?, which is part of the Domestika online course: Traditional and Digital Illustration: from the Sketch to Printing. Find your style, overcome blank paper and learn to dye in a traditional or digital manner.
Partial transcription of the video
“[Music] Welcome to my workshop let's see the materials a little what are we going to use in this lesson we have been talking about what attitude do we have to have for when it comes to inking, as we have to Feel what we have to do. And now let's talk a little about the materials we need to ... ... to start drawing. Actually, there are three types of Materials: There is the brush, the nib and the markers. The difference What is it? The next: We go from more control to less control, right? So, the brush would be the tool that allows less control, the pen would be the tool that we allows inter...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Traditional and Digital Illustration: from the Sketch to Printing
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Fine Arts, Printing, Traditional illustration
Ustudio Mol+Carla
A course by Ustudio Mol+Carla
MOL
He was born in Madrid (Carabanchel). During his childhood, drawing was one of his greatest enjoyments. He studied Delineation, Public Works Engineering, but left it to be trained in the DC_Studio Comic School and in the Arte Diez School in Madrid where he studied Illustration.
In 2007 he made comic works, then animation and in 2009 he began his work in Ediciones SM where he began his career as an illustrator.
In 2014 he divested his career as a designer of the publishing house SM and set up his own studio working for brands such as: BBVA, Telefonica, Banco Popular, Vodafone, Santillana, El Corte Inglés, Saffron, The brand Union among others.
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CARLA BERROCAL
Illustrator of comics by devotion and pintamonas by profession, Carla Berrocal combines her work as an illustrator for advertising agencies and publishers with teaching.
He has published several comics and participated in numerous anthologies for Spain and the world, such as Hundlebert Syndrome (Ultrarradio), Fierro Magazine, Chimera, Monographic or No Brow.
His last solo work has been El Brujo, edited by Edicions de Ponent (2011).
As a teacher he has done courses, talks and workshops in Universities such as the University of Murcia, Complutense University of Madrid, International University of Andalusia, University of Granada, School of Art 10, European Institute Di Design or the School of Arts of Tomelloso among others.
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