Beauty Photography
Retouching in Photoshop II - Part III
A course by Nicolás Cuenca , Photographer
About the video: Retouching in Photoshop II - Part III
Overview
“We continue with our second touch up.”
In this video lesson Nicolás Cuenca addresses the topic: Retouching in Photoshop II - Part III, which is part of the Domestika online course: Beauty Photography. Learn to produce beauty photographs from the idea to the digital retouching stage.
Partial transcription of the video
“PHOTOSHOP II REMOTE There I spent a few minutes working on these two images, I was painting on the mask to reveal the curve. Here I see a little in detail what I am doing. They are two brush strokes. These are the little parts that I obscured, these are the little parts that I clarified. I was doing the same in this other image. Look at the masks, this is all that I was getting dark. And this is all that I was clarifying. I subtly corrected the transitions between light and shadow. This is before and this is after. I was correcting the light and the shadow so that everything goes more fluid...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Beauty Photography
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Category
Photography & Video -
Software
Adobe Photoshop, Capture One -
Areas
Digital Photography, Photography, Portrait Photography, Studio Photography

Nicolás Cuenca
A course by Nicolás Cuenca
Nicolás Cuenca is an Argentinean beauty and fashion photographer who specializes in portrait photography. His works has been featured in different print and online media such as Sicky Magazine, Kunst Magazine, "Vanidades[/i], and Flanelle Magazine, and used for beauty brands such as Fenty Beauty, MAC Pro Cosmetics, and NARSissist.
Nicolás is also an art ambassador for the Bergner Group Art & Design foundation in Spain, an international institution dedicated to bringing fashion and art to homes around the world.
His photography is inspired by the emotions transmitted by faces, and he is always searching for new forms of creative expression in his work.
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