Introduction to Digital Comic
Course final project
A course by Albert Monteys Homar , Illustrator and Comic Book Writer
Joined September 2018
About the final project for: Introduction to Digital Comic
Introduction to the comic in digital support, from creation to publication
“Dear cartoonist, we have reached the end of the course and you already have some tools that will help you tell your story in comic format. The comic is a universal art and you can reach many readers if what you are interested in counts. It is also a long-distance art. Focus on making the best comic possible, but keep in mind that the next one will be better. Try to enjoy the process and that will be noticed in the result. You have to carry out that one-to-four-page story to read digitally that can be the seed for something much more ambitious. Upload it to your Domestika portfolio when you have it ready, but also think about giving it life on the internet, on social networks, your blog, or the platform you choose. Especially works the script and planning. Do not become obsessed with the quality of the drawing. Being a great cartoonist is not the same as being a great cartoonist and, many times, modest cartoonists succeed because they are great storytellers. Try, however, that the drawing accompanies the reading and is always at your service. Remember, even if I have faced the drawing in analog (I always appreciate being away from the screen for a while), you can choose to do the whole process in digital, as many artists do today. You have a lot of possibilities and a pioneer job in your hands. Although we have been in the digital age for a long time, there is much to discover in terms of graphic narrative. See you for Domestika. I really want to read your work. I will be pending and will accompany you throughout the process, but please excuse me if it takes me a couple of days to respond, sometimes the delivery dates do not forgive! Take this as a workshop, as a shared study. We can all comment and give advice. This course has been an opportunity for me to put my work process in writing (which works, like everything else in the creative world, much more based on intuitions than on formulas) and I hope that many more lessons will arise when putting everything in common. Thank you very much, I return to the drawing board! ”
Partial transcription of the video
“Final project Now we reach the end of this course. I hope you learned the narrative of the comic to tell something and how you want to tell it. Before saying goodbye, I will summarize the steps I followed To help you with your final project. First we saw the differences, challenges and opportunities of digital comic and traditional paper comic. Then we explore the digital option formats and what kind of stories best suit each one. The following was the color analysis. Say basic RGB and four-color options to make it easier to decide the ideal support for your comic. What possibilities does t...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Digital Comic
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Comic, Digital Illustration, Traditional illustration

Albert Monteys Homar
A course by Albert Monteys Homar
Albert Monteys is a Spanish cartoonist with more than 25 years of experience illustrating and writing comics. While starting out, he self-published his comics, which led him to collaborate for 18 years on the Spanish humor weekly El Jueves, a publication that he also directed for four years.
His passion for narratives led him to venture into the digital world, collaborating on the humor magazine Pride and Satisfaction and the science fiction comic UNIVERSO!
He has been nominated for the Eisner award at the 2016 Comic-Con, USA and won the award for Best National Comic at the Salón del Cómic de Barcelona, Spain in 2019.
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