Introduction to Hot Wax Painting
Low and high relief on the encaustic medium 1
A course by Daniel I. Bahena García , Artist
About the video: Low and high relief on the encaustic medium 1
Overview
“In this part I will show you the technical ways to execute low and high reliefs with different carving tools or called stiques. I will analyze its aesthetic characteristics on the piece and creative possibilities, and I will carry out symbolic executions in the piece that will grant aspects of exploration and use of the encaustic medium in a plastic way.”
In this video lesson Daniel I. Bahena García addresses the topic: Low and high relief on the encaustic medium 1, which is part of the Domestika online course: Introduction to Hot Wax Painting. Explore the world of encaustic painting and learn to combine it with a range of other techniques like painting, transfer printing, and stencils.
Partial transcription of the video
“In preparation for the upcoming election. we shall initiate the high and low relief creation process. How does this relate to encaustic? After applying encaustic medium glazes to the piece. we must allow it dry properly. typically taking about 10 to 15 minutes. This is crucial because the encaustic medium. once set. enhances the texture and depth of the artwork. providing a unique finish that distinguishes it from Once exposed to the elements and the natural environment. the encaustic medium dries relatively process allows the encaustic medium to gradually mature and solidify over time. Sim...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Hot Wax Painting
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Category
Craft, Illustration -
Areas
Arts & Crafts, Collage, DIY, Fine Arts, Paper Craft
Daniel I. Bahena García
A course by Daniel I. Bahena García
Daniel Bahena received a degree in graphic design in his hometown of Cuernavaca, Morelos in Mexico. Since he was a young child, he has expressed himself through drawing and created imaginary worlds based on dreams and experiences. His work relies heavily on manual processes, which he uses to explore a range of disciplines and artistic techniques.
Throughout his career, he has participated in several group art exhibitions in different parts of the world. He has also given workshops and lectures for art institutions and academies across Mexico. He is cofounder of Enhebra Estudio, a space where has been streamlining and disseminating his knowledge, through the teaching of different workshops with applied artistic techniques, for the past ten years.
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