
For Juan Lara, one of the great virtues of printmaking is that the techniques are not substituted for one another, but rather, like layers, they overlap and enrich the graphic universe. Juan is an artist whose work is always full of dualities: positive-negative, original-copy, white-black.
Specialized in photoengraving and committed to experimenting with different techniques, he has been awarded prizes such as the Jesús Nuñez, the V Certamen internacional Atlante, and the VII Premio Internacional de Grabado y Vino Fundación Vivanco. In this online course, explore both digital and analogue images with one of the most interesting methods of contemporary printmaking.
15 lessons & 16 downloads

6 minutes, 0 seconds

3 minutes, 28 seconds

8 minutes, 55 seconds

4 minutes, 10 seconds

13 minutes, 33 seconds

16 minutes, 24 seconds
First, Juan Lara tells you about his professional career, his artistic work, and his influences in the world of photoengraving. Learn about the history of this process and its evolution through time to the present day. Focus on photopolymer and discover the materials needed to carry out your project. Then, study the use of screens and have a first contact with plates and ultraviolet light to make a photogram. Learn how to ink and prepare your tools for printing. Next, see how to calibrate your monitor and manage the digital image so that it connects with the printed image. Prepare a grayscale and do some ink tests. Go into Photoshop and create an output curve from the results. Finally, adjust measurements, percentages, and tones of the photograph to process the final printing.
Make a photopolymer from a digital image and its artistic stamping.

Anyone interested in both digital and analog photography and to all those who are passionate about engraving.
To take the course you need a computer with Photoshop, engraving materials, and access to a small engraving workshop, a press, and a home screen exposure unit.

Muy buen curso de introducción al grabado con la técnica de fotopolímero. Altamente recomendable
inegnante molto preparato, descrizioni chiare e approfondite, facile da seguire. la possibilità di scegliere la lingua facilita molto l'ascolto
Um curso muito bom. O Professor tem uma ótima didática e os exemplos são claros e meticulosos. Recomendo.
O curso é excelente e muito bem conduzido, gostei muito. Todas as etapas são ensinadas detalhadamente, foi muito útil para mim. Obrigada!
Me ha encantado, muy util!

Introduction
The photogravure
Frames: the stochastic plot as a resource
Gray scale
Project development
Final project
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Photopolymer is a light-sensitive plate that allows images or drawings to be transferred through exposure to light, enabling modern printmaking techniques with fine detail for both art and industrial uses.
No prior printmaking experience is required, though basic knowledge of art or printing is recommended. The course is designed for intermediate level and guides you step-by-step through the main processes.
You’ll need photopolymer plates, a printer for film positives, a UV exposure unit, a press, inks, special paper (like Japanese or polyester), plus cleaning and cutting supplies. The course covers each item and how to use it.
You’ll learn how to transfer images to plates, develop and ink photopolymers, adjust digital halftones, use both traditional and modern techniques, and apply printing methods on various papers and surfaces.
Photopolymer printmaking offers greater precision in transferring digital images or drawings, is more versatile with different materials, and involves fewer hazardous chemicals than traditional methods like acid etching or drypoint.
Yes, the course is designed to help you develop artistic and editorial projects, integrating contemporary photopolymer etching techniques to enrich your print work and expand your creative possibilities.
You can transfer original drawings, photographs, digital images, and black-and-white or grayscale compositions, adjusting halftone patterns and resolution to achieve the desired effect.