From Idea to Vignette Step by Step
Influences
A course by Alejandra Lunik , Graphic Humorist and Illustrator
About the video: Influences
Overview
“These are some of the many cartoonists that I like and that influenced my work. On this occasion, I will show you what I consider fundamental when talking about graphic humor.”
In this video lesson Alejandra Lunik addresses the topic: Influences, which is part of the Domestika online course: From Idea to Vignette Step by Step. Learn the process for creating a single-panel comic.
Partial transcription of the video
“Now that I've told you about myself, I'll talk about my influences. All the authors I'm going to show you have had a pretty strong influence on my work throughout the years. The first is Calvin and Hobbes. He is a child whose imaginary friend is a tiger and it looks a bit like another influence I'll tell you about, which is "Snoopy," but it is a lot more scathing and a lot more modern. Although it is synthetic, you can see the classic grain of this cartoonist. For me, Bill Watterson, who is the author, is one of my biggest influences. Another very important influence for me is the famous Sn...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: From Idea to Vignette Step by Step
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Category
Illustration -
Areas
Comic, Traditional illustration

Alejandra Lunik
A course by Alejandra Lunik
Alejandra Lunik is an illustrator, graphic humorist, and amateur painter. She studied fine arts and has since devoted her career to illustration and graphic humor, publishing her work in a range of media outlets over the past two and half decades.
As a comic artist, her illustrations have been featured in a variety of magazines, including Fierro and Sex Humor. She also spent five years working as a graphic humorist at OHLALÁ magazine. Two of her most distinguished projects are Lola, a humorous comic that ended up being published as a book, and Hormona Asesina. She currently publishes daily comics titled Andá a lavar los platos for the newspaper La Nación.
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