Artistic Gouache Painting: Animals and Plant Life
Drawing animals, sketching process
A course by Alejandra Caballero, Artist
About the video: Drawing animals, sketching process
Overview
“In this lesson I will teach you how to break down general shapes into simpler forms, my process for drawing animals, and how to add botanical elements to your compositions. ”
In this video lesson Alejandra Caballero addresses the topic: Drawing animals, sketching process , which is part of the Domestika online course: Artistic Gouache Painting: Animals and Plant Life. Learn the basics of gouache painting. Find your inspiration for animal portraits, go through the sketching process, and discover your unique style..
Partial transcription of the video
“Now that we've explored the basics of gouache painting. let's proceed with drawing expressive animal characters. In a later session. i’ll guide you through incorporating detailed botanical illustrations into I'm currently in Photoshop with the reference prepared for my drawing. To start. i want to quickly demonstrate how this dog is composed. It's essential to understand the structure before adding details and of different geometric shapes. Its head. for example. It fits into what could be a trapezoid. its ears are small triangles. The fur on its neck could also fit within a triangle. Here ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Artistic Gouache Painting: Animals and Plant Life
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Category
Illustration -
Areas
Fine Arts, Gouache Painting, Naturalistic Illustration, Painting

Alejandra Caballero
A course by Alejandra Caballero
Alejandra Caballero is a self-taught painter and illustrator specializing in gouache. She has worked with galleries such as Nucleus Portland and WOW x WOW, and has collaborated on illustrations for publishing houses. Fascinated by painting from an early age, she has honed her skills over the years, combining nature and animals in her work. Her unique style reflects her passion for portraiture, flora, and fauna.
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