
A magazine is like an open door that allows you to discover the world and break new ground. Transforming and rendering fragments of reality through the subtle magic of color, typography, and layout is the specialty of Lars Harmsen, cofounder and editor of Slanted Publishers. In this online course, explore the possibilities of editorial design using Slanted Magazine as a case study.
Together with your teacher, learn how to develop a magazine and all the aspects it entails. Lars shows you the different possible options for designing a magazine, from the idea, research, and layout, to production and marketing. By the end of the course, you'll have the tools to find the right format for your publication. Take a fragment of reality, analyze it, and reassemble it in magazine form.
16 lessons & 28 downloads

6 minutes, 50 seconds

11 minutes, 52 seconds

14 minutes, 22 seconds

14 minutes, 27 seconds

14 minutes, 53 seconds

15 minutes, 43 seconds
Begin the course by getting to know your teacher, Lars Harmsen, who tells you about his career and experience in editorial design. He also shows you some influences that have impacted and inspired his work.
Next, look at how to develop the concept of what a magazine can represent. Before you start manipulating pixels and warming up the graphics card, explore the importance of the planning, research, and organization phases.
Continue with an introduction to the tools of the trade in editorial design—illustration, typography, graphic design, and photography—and analyze how you can combine these elements in your storytelling.
Now it's time to start experimenting! What happens when you think of a magazine not as a collection of information, but as a piece of music or poetry? Discover how to step out of your comfort zone in terms of graphic design, then tackle the photo for your cover.
Lars shows you what to consider for the printing phase and the choice of materials for your magazine, how to find distributors, and how to market your publication. To wrap things up, he covers different options for designing special editions.
Using Slanted Magazine as a case study, learn about all the steps involved in creating a magazine.

Design professionals who want to explore the possibilities and tools of editorial design, as well as beginners who want to learn how a magazine is planned and designed.
No prior knowledge of layout or editorial design is required, although a basic knowledge of Adobe InDesign may be helpful.
As for materials, you need a computer with layout and text editing software, as well as a cutter, a pencil, and paper.

Muy buen curso, la experiencia del maestro y de la comunidad hace que sea muy interesante e inspirador
Excelente
Inspiring and insightful
Insightful and reflective
Excelente curso y profesor.

Introduction
The Planning
Editorial Design
Other Editorial Design Elements
Further Thoughts
Final project
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This course is aimed at advanced beginners and designers with some editorial design experience who want to deepen their knowledge of magazine layout, typography, photography, and production processes.
Basic knowledge of design, typography, or layout software is helpful but not required. An openness to creative experimentation and an interest in magazines and visual design are recommended.
You’ll learn how to plan, design, and produce innovative magazines—from typography concepts and layouts to photography, storytelling, printing, distribution, and audience analysis.
The course covers screen printing, typography, layout techniques, magazine concept development, photography, storytelling, printing methods, material selection, cover design, research, interviewing, production planning, and marketing.
Yes, the course also explores analog layout and design methods as well as alternatives to InDesign, so you can work practically without expensive software.
The course is very hands-on: it includes real magazine projects, competitions, practical layout exercises, as well as creating your own photo spreads and cover designs.
You’ll learn layering, grid layouts, expressive typography, paper and color management, handmade lettering, collage, photo storytelling, and using experimental design tools.