Photography for the Imagination
Course final project
A course by Silvia Grav , Photographer
About the final project for: Photography for the Imagination
Photography for the imagination
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Partial transcription of the video
“[Music] Well, we are now at the end of the course. We have already finished the project and I hope you liked it that at least has been useful to you or get some things to apply to your work and before saying goodbye let's make a short summary of all the steps we have followed in the course. First of all we have seen my personal preferences and I have advised that you look for it in case you do not have none because that is going to help you a lot when it comes to search for the idea or focus your project in a form or another. The next thing we have seen has been the materials that I I use a...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Photography for the Imagination
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Category
Photography & Video -
Software
Adobe Photoshop -
Areas
Fine-Art Photography, Interior Photography, Photography, Photography Post-production
Silvia Grav
A course by Silvia Grav
I am Silvia Grav, I am 20 years old and I have been working professionally in photography and video since two years ago. Although I have just moved to Los Angeles, I have spent most of my life in Malaga and the last four years in Madrid.
My work is very intimate and very personal, in that it always comes from my own experiences, or that it arises as a consequence of a situation or a specific feeling or circumstance. Although certain assignments sometimes involve working with other people's ideas, I always use my life as a material to work with or to get what I need. Although I define myself as a photographer, I spend most of my time in post-production, which is sometimes closer to illustration than photography.
I was selected by Flickr as one of the best photographers under the age of 20, I have exhibited my works in several museums and I have created several covers for music, books and also video clips.
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