Introduction to Affinity Photo
Course 2: Image Manipulation: Mix Modes and Ranges
By Carlos Jimenez Varela , Photographic Composition Specialist
About the video: Mix Modes and Ranges
Overview
“I will show you the interaction between Layers, how the main Blend Modes work as well as the virtues and use of the Blend Ranges Panel. ”
In this video lesson Carlos Jimenez Varela addresses the topic: Mix Modes and Ranges, which is part of the Domestika online course: Course 2: Image Manipulation. Learn the basic tools and start editing your photos.
Partial transcription of the video
“AFFINITY PHOTO FROM ZERO / COURSE 2 LESSON 4 Mixing Modes and Ranges We learned to work with layers, let's understand how these interact with each other, and that is done with the mixing modes and ranges. Let's see it. In this lesson we will focus on learning how blend modes and blend ranges work. They are different. In the layers panel, as we can see, we have two layers, we have a background layer, and we have a layer on top. They can be deactivated. We will pay attention to this layer. What we see is a range of luminance, ranging from full shade of 100% black to 100% white and we see the ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 2: Image Manipulation
Carlos Jimenez Varela
By Carlos Jimenez Varela
Carlos Jiménez is a Costa Rican native who has held the position of creative director at various advertising agencies for over fifteen years, although his academic background is in graphic design. Passionate about photomontage, he believes it to be a precise form of graphic expression able to bring us closer to both the dream world and the subconscious. He has worked for renowned studios like Sane Seven (UK) and Sagmeister & Walsh (New York).
Despite not considering himself an Adobe Photoshop virtuoso, he undoubtedly handles the program with an expert touch and has used it professionally for more than twenty years. He trusts that he must be constantly learning and updating his skills along with the software, and believes that others should strive to do the same.
His work has been published on various design blogs as well as in renowned magazines like Lürzer's Archive on more than one occasion. He has also exhibited his work in galleries in a number of countries around the word such as Spain, Morocco, France, Brazil, and more. He has participated in various exhibitions for international festivals and design biennales in Ecuador and Poland, to name just two. He currently has more than thirty national and international prizes and awards in creativity and design.
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