
Staying up-to-date and adapting to the technological advances presented by the industry is one of the keys to being an outstanding motion graphics professional. 3D artist Zigor Samaniego has been creating incredible lettering for over 10 years, and with the introduction of the Redshift rendering engine to his workflow, his pieces have reached new levels of realism and dynamism.
Discover the new features of Cinema 4D Release 20 and Redshift rendering by doing three exercises: a liquid letter, a mini-animation of a letter with tentacles, and a smoke lettering piece.
This course is complementary to Zigor's previous Domestika course 3D Lettering: Modeling and Texturing with Cinema 4D, in which he teaches you how to give life and character to letters in Cinema 4D.
20 lessons & 8 downloads
Begin by meeting Zigor Samaniego, who tells you about his greatest influences and the most representative works of his extensive experience as an illustrator and 3D designer.
Next, learn all about the modeling innovations offered by Cinema 4D Release 20 by creating a liquid letter for a brand of natural drinks—the first exercise in which you also learn to apply Zigor's lighting technique.
Discover the rendering options offered by Redshift, the rendering engine that everyone is talking about, and you see how to apply magical elements in Adobe Photoshop as a final touch to your liquid letter.
Following the same process, create an animated letter with tentacles. Use more Cinema 4D features to bring this incredible letter to life, working on lighting and materials. Then discover how to render with layers and achieve content ready to be published on social networks.
To wrap things up, compose a smoke lettering piece to protest against pollution. Look for references to get your creative juices flowing for your smoking letters in Adobe Photoshop. Model the letters to later transform them into volumes of smoke and, finally, play with volume in Redshift, learning how to place lights to get the most out of your creation.

Create your own lettering pieces by applying Zigor's techniques and the new features of Cinema 4D (Release 20).
Designers, illustrators, and anyone who knows how Cinema 4D works and wants to learn the new features of the latest version (R20) of this software as well as how to use the Redshift rendering engine.
To take this course, you need a working knowledge of Cinema 4D and Adobe Photoshop.
For materials, you need a computer installed with Cinema 4D Release 20, compatible with Redshift (although you can use the rendering engine of your choice). A graphics tablet would also be useful, but is not essential.


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3D lettering involves creating three-dimensional letters using software like Cinema 4D for modeling and Redshift for rendering materials and lighting, achieving striking and realistic visual results.
The course is aimed at people with intermediate knowledge of 3D or graphic design. Basic experience with Cinema 4D and Photoshop is recommended to get the most out of the content.
You’ll need Cinema 4D (preferably R20 or newer), Redshift as the render engine, Photoshop, and a graphics tablet like a Wacom. A computer with good graphics capability and memory is recommended.
You’ll learn how to create and model liquid letters in Cinema 4D using volume tools, splines, and boolean operations, plus add realistic liquid effects and splashes.
The course teaches how to create photorealistic materials in Redshift using nodes, adjust reflections and transparency, apply HDRI lighting, and set up cameras for high-quality renders.
Yes, the course covers techniques to animate letters with tentacles and particles using MoGraph tools, hair simulation, and volume effects in Cinema 4D and Redshift.
By the end, you’ll be able to create, model, and render advanced 3D letters with professional materials and effects, plus retouch images and animations ready for portfolios or creative projects.