
For Agnès Decourchelle, drawing is a language in its own right, with words made up of colors, light, and contrasts. Her carefree drawing style and unique approach to working with light has allowed her to collaborate with big names from the press like The Guardian and The New York Times.
In this course, she teaches you how to take a run-of-the-mill scene and make it spectacular, capturing beauty and light with original techniques based on color, composition, and use of a sketchbook. By the end of the course, you'll be able to convey the essence of any place, without sacrificing spontaneity in your drawing.
14 lessons & 21 downloads

4 minutes, 8 seconds

12 minutes, 33 seconds

6 minutes, 0 seconds

16 minutes, 54 seconds

13 minutes, 2 seconds

8 minutes, 14 seconds
Agnès Decourchelle starts by introducing herself and telling you about her artistic influences. The press, publishing houses, communication agencies, the audiovisual sector...she loves nothing more than working on diverse projects.
Dive in and take a closer look at the practice of drawing. Agnès walks you through the recommended course material and teaches you how to use a sketchbook to capture a place's essence and serve as your catalogue of spontaneous images. Carry out some research on the place you've chosen to paint, with particular emphasis on the light, then work on movement in drawing with a practical exercise.
Now it's time to explore the exciting world of color! Draw some sketches to find the right frame and composition for your illustration, then define a color palette. Structure the composition of your final drawing and move on to adding the color using a technique that doesn't sacrifice any of the spontaneity of your drawing.
To go one step further, Agnès invites you to try a more abstract technique for landscape drawing, using a photo series. She wraps up by showing you the best way to share your creations on social media so you can gain an even larger audience.

Create a landscape drawing that transmits an air of spontaneity.

Anyone interested in learning to draw, whether they are a beginner or a seasoned artist.
You need a sketchbook, colored pencils (watercolor or regular), markers, a soft or reservoir paintbrush, and fine grain white paper.

I liked it, but the project was a very simple one. I would like to learn more techniques that the instructor uses for mark-making and for implementing texture.
Beautiful artwork, but the course itself was disappointing. I honestly didn't learn much. It mostly felt like watching someone paint without explaining the reasoning behind a lot of her choices. The course is called Colourful Landscapes, yet the lesson on color is only 3 minutes long, while 12 minutes are spent showing her sketchbooks. If you're looking for actual instruction rather than a painting demo, this course may not be for you.
Ce n'est pas inintéressant mais un peu faible. J'ai du mal à apprendre quelque chose. A moins que cela ne soit pour débutant n'ayant jamais touché un pinceau...
5stars!
Corso molto bello per l'uso di tecniche miste e del colore. Agnes Dourchelle è molto brava e fornisce stimoli anche di storia dell'arte. Corso consigliato.

Introduction
Work techniques
Color immersion
The birth of a series
Final project
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This course is aimed at intermediate learners: it’s best to have some basic drawing skills, but no advanced mastery is required. Techniques are explained step-by-step and are accessible to anyone wanting to improve their landscape illustration.
You’ll need a sketchbook, colored pencils (watercolor or regular), markers, a water brush, a craft knife, suitable paper, and a camera or smartphone for field documentation.
You’ll learn how to observe and analyze a landscape, choose a framing, compose an image, explore color and light, use mixed media (pencils, markers, collage), and capture atmosphere or emotion through drawing.
The course covers visual note-taking, photo analysis, quick sketches on location, layering, color palettes, urban and natural framing, using Posca and watercolor markers, and photo collages.
No, it’s not required. The course touches on scanning and digital editing, but most exercises are done on paper with traditional tools.
Yes, you’ll learn how to stylize shapes, work with abstraction, experiment with composition, and explore graphic freedom to create dreamlike or expressive landscapes.
Absolutely! The course includes tips on illustration for children’s books and develops creativity, visual storytelling, and personal expression useful in that field.