Graphic Experimentation for Artistic Illustration
File
A course by Santiago Guevara , Illustrator and Painter
Joined May 2012
Joined May 2012
About the video: File
Overview
“When you make analog illustrations, they often suggest a life after digitization. For example: filing them for conservation, framing them, or using them as a preliminary step to a new work, are some of the paths that I have taken and that we will now analyze together. ”
In this video lesson Santiago Guevara addresses the topic: File, which is part of the Domestika online course: Graphic Experimentation for Artistic Illustration . Create images with watercolors, acrylics, pastels and other techniques and illustrate pieces that bring a text to life .
Partial transcription of the video
“File After we have put fixative on our illustrations, we should always place them on a rigid support, the support can be a papier-mache, and above to cover them to avoid any accident or get stained by some other paint, put a role to protect them. I always prefer to put acetate or butter or parchment paper on it, but acetate is the one that also works best to be able to display them, to identify it and that it is not a paper that does not reveal what is behind it. At the same time I put some bleaching hooks to hold it steady. These hooks allow me to be able to locate them on the wall because...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Graphic Experimentation for Artistic Illustration
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Category
Illustration -
Areas
Acrylic Painting, Communication, Creativity, Drawing, Editorial Illustration, Fine Arts, Painting, Traditional illustration, Watercolor Painting
Santiago Guevara
A course by Santiago Guevara
Illustrator Santiago Guevara graduated with a degree in graphic design from the Jorge Tadeo Lozano University in Bogotá, Colombia. He combines his work as a freelance illustrator–primarily for children's books and young adult literature–with a teaching position in the art department at the Pontifical Xavierian University.
He has collaborated with magazines, newspapers, publishing companies, and both national and international clients. To date, he has published and co-authored numerous books with a variety of writers and companies, including Corazón de león by Antonio Ungar, Los irlandeses by Jairo Buitrago, La gata sola by Carolina Sanín, Soy asesino y padre de familia by Fabio Rubiano, and Los 16 motivos del lobo by Amalia Moreno.
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