Advanced Papercraft Techniques: Designing with Paper
We stick feathers, beak and eyes 3
A course by Diana Beltran Herrera , Industrial Designer
Joined October 2017
About the video: We stick feathers, beak and eyes 3
Overview
“I'm finishing, in this lesson I explain the final actions to finish the bird.”
In this video lesson Diana Beltran Herrera addresses the topic: We stick feathers, beak and eyes 3, which is part of the Domestika online course: Advanced Papercraft Techniques: Designing with Paper. Explore the possibilities of paper by transforming designs into volumetric shapes.
Partial transcription of the video
“Well. from among all the tiny eyes I crafted. i've selected a few that bring me joy and which I believe perfectly complement the bird I am currently working on. Now what I've done is add a piece at the bottom that closely resembles the shape of a human eye. This addition enhances the overall appearance significantly as it brings more depth and realism to the bird's facial features. The extra detail makes the expression and the face look much nicer. but I'm not going to I want to ensure I'm satisfied with the beak. as it will be the final detail I add to the project. the overall look and fee...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Advanced Papercraft Techniques: Designing with Paper
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Category
Craft -
Areas
Arts & Crafts, Design, Paper Craft, Sculpture, Traditional illustration

Diana Beltran Herrera
A course by Diana Beltran Herrera
After graduating as an industrial designer from the Universidad Jorge Tadeo Lozano in Bogotá, Diana decided to explore design from a more experimental perspective, studying the different qualities of cheap and ordinary materials such as paper and cardboard and developing simple ways to transform them and give them a new value and use.
Nature and animals are very present in Diana Beltrán's work, which she explores endlessly through papercraft.
Her work has been exhibited in Europe, Asia, Latin America, and the United States, where she has participated in group and solo shows. She has also worked for international clients in editorial design, advertising, window dressing, events, and interior design projects, working for 215 McCann, Olivari Olive Oil, Volevatch, Longwood Gardens US, ENI, Marina Rinaldi, Lebeau-Courally, James Cropper UK, Hodder and Stoughton UK, Horse Mag, On investing magazine, the Libertine Lindenberg Hotel, Restaurant Auberge de l'Ill, Mercedes Salazar, and UH Hospitals USA.
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