Animation and Design of Characters in After Effects
Animation of the character riding a bike 2
A course by Moncho Massé , Illustrator and Animator
About the video: Animation of the character riding a bike 2
Overview
“The second part.”
In this video lesson Moncho Massé addresses the topic: Animation of the character riding a bike 2, which is part of the Domestika online course: Animation and Design of Characters in After Effects. Learn to tell stories through infinite animation loops.
Partial transcription of the video
“So the next step, will be to animate the arm. Ok activate hand and arm, that we deactivated previously. The arm, we have it paired with the trunk. So, right now, as you can see ... it's gone. So ... what should be done, is to animate the vertex of the path, that ends up in the hand. For this, I've come to the hand ... Sorry ... For this, what I've done has been ... use the rules; to make a cruzeta; Just at the point where we want, that is our doll. And I click on the path. I come to frame number 8. select this vertex, and I bring it here. I'm going to modify a little the curve. Because as w...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Animation and Design of Characters in After Effects
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Category
3D & Animation -
Software
Adobe After Effects -
Areas
2D Animation, Animation, Character Animation, Character Design, Motion Graphics

Moncho Massé
A course by Moncho Massé
As a child of the ‘80s, Moncho grew up glued to the screen. If he wasn’t playing his favorite Nintendo or Sega games, he was marveling at the latest from Toriyama, Miyazaki, Disney, and Cartoon Network. Today, these references have led him to develop his own style as a motion graphics designer.
Moncho studied audiovisual communication and journalism at the Universitat de València before working as a video editor for a small agency in Amsterdam. It was there that he found his true passion for animation, leading him to work on different motion graphics projects for a wide variety of clients.
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