Journalistic Writing Techniques for Nonfiction Stories
To post
A course by Daniela Rea , Writer and Journalist
About the video: To post
Overview
“Just as we look for stories to write, we must find a home for them. And if it doesn't exist, you have to build it.”
In this video lesson Daniela Rea addresses the topic: To post, which is part of the Domestika online course: Journalistic Writing Techniques for Nonfiction Stories. Learn how to express global issues through the use of documentary and field investigation.
Partial transcription of the video
“To post When I arrived in Mexico City, I didn't have a job and he had no writing experience in a national medium. I came here after studying the degree and having worked in a newspaper and I felt that with my three and a half years of experience I could find a job in this city. I called many newspaper offices, to web information portals that were just beginning to be born and produced and the answer was always no. "We don't have time", "We don't have places", "we have no resources", "we are not hiring" or "you don't have a name", "we don't know who you are", "we don't know your job and we c...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Journalistic Writing Techniques for Nonfiction Stories
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Category
Writing -
Areas
Communication, Narrative, Non-Fiction Writing, Storytelling, Writing
Daniela Rea
A course by Daniela Rea
Although as a child she dreamed of being a sailor and detective, the Daniela Rea we know today is a writer and journalist. She specializes in nonfiction stories and enjoys experimenting with different formats such as journalistic, literary, and audiovisual. She is fascinated by learning about people’s lives, exploring their day to day, and understanding how they inhabit their space.
You can find her work at Pie de Página, among other platforms. She has collaborated with documentalists like Everaldo González, Ai Wei Wei, and Rodrigo Reyes and is the author of i]Nadie les pidió perdón[/i] and coauthor of La Tropa: Por qué mata un soldado.
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