Video Production and Edition with DSLR Camera and Adobe Premiere
Basic theory about video II
A course by Gonzalo P. Martos , Photographer and Videographer
About the video: Basic theory about video II
Overview
“Second part of the lesson.”
In this video lesson Gonzalo P. Martos addresses the topic: Basic theory about video II, which is part of the Domestika online course: Video Production and Edition with DSLR Camera and Adobe Premiere. Learn to film and edit a professional promotional video.
Partial transcription of the video
“Basic video theory / 2 The histogram is a graphical representation of the amount of light that reaches the camera according to the parameters we have. It has a little drawing similar to this and what it tells us is how much information we have in the black part, this one on the left, how much information we have in the shadow part, which is that part of the center to the left, how much information we have in the midtones, how can a person's skin be, is around that area, how much information we have in the highlights and how much information we have in blanks. Well I have say that what you a...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Video Production and Edition with DSLR Camera and Adobe Premiere
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Category
Photography & Video -
Software
Adobe Premiere -
Areas
Audiovisual Production, Film, Filmmaking, TV, Video, Video Editing

Gonzalo P. Martos
A course by Gonzalo P. Martos
Filmmaker and video editor Gonzalo P. Martos is an expert in digital editing, post-production, artistic photography, and the effects of lighting on visual storytelling.
Throughout his career, he has created promotional pieces for studios such as Espadaysantacruz and Nisu, as well as advertising spots for well-known brands like Samsung, Central Lechera Asturiana, Openbank, and Nivea, among others. He has also worked on music videos for artists such as Curricé and documentaries sponsored by Red Bull, including a piece following the popular band Love of Lesbian on tour.
What he likes most about his job is the variety that makes each day unique—having the freedom to travel, shooting at remarkable locations, creating various types of pieces, and being a modern-day Renaissance man capable of working with lights, cameras, shots, post-production, color, and the endless number of details that go into creating a solid audiovisual piece.
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