Digital Shading Techniques
Ornamentation - Part II
A course by Abraham García , Illustrator
About the video: Ornamentation - Part II
Overview
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In this video lesson Abraham García addresses the topic: Ornamentation - Part II, which is part of the Domestika online course: Digital Shading Techniques. Learn to illustrate with different patterns, hatching, and strokes using Illustrator and Photoshop.
Partial transcription of the video
“I think it's time to start here To organize everything Add more layers. We're going to paste this into a new layer. I think for this second brush I'm going to apply In this small frame. We're going to do something simpler This time it's just going to be lines I use this one The fusion tool to duplicate these figures exactly And there are still distant But You can do it the way you want. Remember when you select a vector Automatically in the middle of it You will mark a point Then we will use it as a reference. Like half the vector. Remember, this is our brush We're going to drag our brushst...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Digital Shading Techniques
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Category
Illustration -
Software
Adobe Illustrator, Adobe Photoshop -
Areas
Digital Illustration, Engraving, Traditional illustration

Abraham García
A course by Abraham García
Abraham García is a graphic designer who specializes in illustration but also enjoys experimenting with a wide variety of traditional and digital techniques.
Over the last ten years, he has worked with advertising agencies like Grupo W in Saltillo, Mexico, and Vault 49 in New York, where he currently works as a freelance artist. Throughout this time, he has developed projects for branding, packaging, illustration, web design, album covers, and more.
Some of Abraham’s clients include Harley Davidson, Gatorade, Jack Daniel’s, Volkswagen, Bicycle Cards, and publications such as Picnic, Quo, and Travel and Leisure.
Abraham is also passionate about tattoos, caricatures, graffiti, film, and comics. He enjoys working with his hands on projects involving carpentry, industrial design, and metal structures. For him, “As designers, we are the result of our interests and passions.”
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