Stylish Illustrated Portraits with Mixed Media
Digital Assembly: The Face 2
A course by Karen Savard Klassen , Illustrator
About the video: Digital Assembly: The Face 2
Overview
“Now, I will work on the colour and tonal range of the illustration. I will also look at the lighting of the reference photo and mimic some parts of it.”
In this video lesson Karen Savard Klassen addresses the topic: Digital Assembly: The Face 2, which is part of the Domestika online course: Stylish Illustrated Portraits with Mixed Media. Combine fashion and portraiture to create eye-catching illustrations filled with texture and personality using both traditional and digital techniques.
Partial transcription of the video
“Digital Assembly: The Face Continuing on with a bit of hair detail, I'll place these marks on the mass layer. If I'm unsure, I'll create a new layer. Always merge your layers if it's getting a bit too much. If you're happy with layers that will play nicely together, you can merge them and it will reduce your file size a bit. I'll add a bit of a tendril here. I also see that the line I've created with my contour is a bit jagged here, so I can adjust my path to adjust that contour by going down to this button. I can select this here and move that contour. Or if I don't think that it will be s...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Stylish Illustrated Portraits with Mixed Media
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Acrylic Painting, Digital Illustration, Fine Arts, Traditional illustration

Karen Savard Klassen
A course by Karen Savard Klassen
Karen Klassen is a freelance illustrator from Calgary, Canada, with a degree in design from the Alberta College of Art and Design. Shortly after graduating, she launched her freelance career and has since collaborated on projects in a range of fields such as publishing, advertising, pattern design, and, most notably, fashion and lifestyle, which have become her expertise. She was initially attracted to fashion and portraiture because they give her a sense of freedom and allow her to experiment with different techniques and mediums, searching for the best way to render a particular type of fabric, silhouette, or pattern.
She’s always shared her personal work on social media, which has led to commissions from a wide variety of clients including Folio Society, Bankers Hall, RedBloom Salons, and magazines such as Rolling Stone, LA Weekly, The National Post, and The Sunday Times. She’s also received numerous illustration awards from American Illustration, Communication Arts, and Applied Arts, as well as AR100 and the Society of Illustrators.
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