Introduction to SketchBook Pro
Course 2 - Drawing with Sketchbook Pro: To explore the brushes
By Paulo Villagrán , Illustrator, designer and graphic artist
Joined May 2016
Joined May 2016
About the video: To explore the brushes
Overview
“We will make the illustration of a fish as an example so that you notice the difference between all the brushes that we saw in this course. Take advantage of each of these tools so that the result is super original. Also, you can create an animal that is easy for you to draw with any of the Sketchbook Pro pencils, and from this sketch, on a new layer, start inking with the fountain pen. Remember that the Fountain Pen obeys sensitivity according to the pressure you exert on your digital pen. It is important that you adjust the values and pressure of this tool at your discretion so that you can play with the thickness of the line achieving a fine or thick line in the same stroke. Remember that being patient and enjoying the process always makes the quality of work much better. ”
In this video lesson Paulo Villagrán addresses the topic: To explore the brushes, which is part of the Domestika online course: Course 2 - Drawing with Sketchbook Pro. Learn to draw using brushes and textures.
Partial transcription of the video
“SKETCHBOOK PRO COURSE 2 LESSON 8 Practice Now let's practice. We will draw an animal in a simple way and we will apply each of the "brushes" learned in this course. Let's start. Remember that you can use all the brushes that we saw in the course such as pencils, fountain pen, pastels, Artist brushes, Copic markers, Halftone and Textures. I suggest making a simple animal. It can be an animal of your liking, an elephant, a dog, a cat. Since I love fish, I drew a fish in pencil. Remember how pencils are used. Here we have different categories, from 4H to 3B. I think I always use this, Primary ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 2 - Drawing with Sketchbook Pro
Paulo Villagrán
By Paulo Villagrán
The professional career and the unique style of the illustrator Paulo Villagrán have placed him as one of the most prominent names in the Mexican graphic scene.
He has worked with clients such as Coca Cola, Telcel, Sony Music, Banamex, Crayola, Mr. Sushi or Tutsi POP among others. In the publishing field he has collaborated, in addition to many others, with a! Design, Editorial Televisa, Editorial Macmillan Castillo, SEP, Editorial Porrúa and CONACULTA.
He has coordinated the exhibition SEGÚIREMOS SIENDO 2012 , an illustrated tribute to Café Tacvba at the Museo Universitario del Chopo and has participated as a jury in the exhibition MOVIENDO VIDAS , creating art with Snoopy in the MUMEDI. He has carried out solo and group exhibitions at the MUNAL, within the framework of the International Short Film Festival Short Shorts 2013 and Writes Escribano at the San Ildefonso Museum, within the Mexican Open of design. He has also given a lecture at the IMAX Digital Dome of the Discover Museum in Aguascalientes.
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- 13 students
- 8 lessons (49m)
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