
One of the most important phases in illustration is observation. When working up to the concept of a strong idea, you need to become an avid observer of the world around you. One of Ricardo Nuñez’s biggest influences is life itself, the root of the stories and adventures he interprets in his work, using his favorite tool: the pencil. His work has been internationally recognized by Latin American Illustration, American Illustration, Applied Arts Students Awards, HiiiBrand in China, Australian Centre for Moving Image in Australia, and more.
In this course, Ricardo will teach you various pencil techniques, as well as his own methodology. See the importance of conceptualization in your project to develop your initial ideas, sketches, and move on to the development of your illustration and finalization.
12 lessons & 9 downloads

1 minute, 10 seconds

3 minutes, 45 seconds

4 minutes, 43 seconds

12 minutes, 5 seconds

12 minutes, 29 seconds

5 minutes, 50 seconds
Get to know Ricardo, his story, and how he made a shift in his professional life to pursue his dream to become an illustrator. Get to know his influences and references also.
Discover the story behind pencils, analyzing the different types and the levels of hardness, as well as other materials that will help you to carry out your project.
Ricardo shows you different techniques of linework and patterns with graphite, inviting you to get to grips with the most common ones and practice them. See blending and texture techniques, then put them to use with Ricardo’s exercises.
Next, make a start on the creative process. See how to find the key aspects of a story and start sketching them. Carry out simple drawings in your sketchbook, and learn how to transfer them to another sheet of paper.
Apply several techniques that you learned previously, starting with the darkest tones that will determine the base of your artistic illustration. As for details, see how to use a mechanical pencil to create texture and volume in your drawing.
Lastly, Ricardo shares some tips to take care of your final piece, for either framing or storing it correctly.
Illustrate an anecdote about your life using graphite. Ricardo shares some illustration ideas if you need some inspiration.

This course is for anyone who wants to learn this technique and find a new medium of expression.
No previous drawing knowledge is necessary, only the motivation to learn.
As for materials, you will need graphite pencils 2H, F, B, HB, 4B, and 8B, and a kneaded eraser. You will also need a mechanical pencil with soft and hard lead (ideally 4H, HB, 2B, and 4B), a drawing pen with a 1.0 tip, and an art fixative spray, a nail file, a retractable eraser, a sketchbook, and any fine-textured paper without enamel: Bond paper of 120 grams minimum is a good start, and fine Bristol or Fabriano paper, for the final illustrations.

Me ha parecido un curso interesante. Me he perdido alguna vez pero las explicaciones son buenas, y me gusta que explique lo que va demostrando. Muy práctico
great lessons!
Me ha encantado. Siempre es maravilloso aprender nuevas técnicas.
El curso me pareció muy bueno. El profesor es claro y detallista en sus explicaciones y le da contenido expresivo al medio, además de explicar las técnicas. Me gustaría mucho tomar otro curso con él donde ver también el modo de pasar a color (uno o varios) los trabajos con grafito. Gracias Ricardo!
Excelente presentación buen profesor

Introduction
Brief introduction to pencil and materials to use
The time has come to put what you have learned into practice
We must treasure what we do
Final project
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Yes, this course is designed for those who already have basic illustration knowledge and want to refine their techniques and develop personal and professional pencil projects.
You’ll need various types of pencils (HB, F, 2H, 3B, etc.), mechanical pencils, suitable drawing paper, erasers, blending tools, brushes, and visual references. It’s also recommended to have a craft knife or sharpener for your pencils.
You’ll learn advanced shading, texturing, and crosshatching techniques, how to develop portfolios, create illustrations for texts, preserve your artwork, and work on personal or professional projects, including book covers and international collaborations.
Yes, the course covers strategies for working as a freelance illustrator, entering illustration contests, exhibiting your work in international galleries, and tips for collaborating with independent authors.
The course explains how to select pencils based on hardness—from 2H for light lines to 3B or softer for dark tones and intense shading—and how to combine them to achieve varied tonal effects.
Yes, you’ll learn how to create preliminary sketches, solve compositional problems, and use visual references to efficiently develop ideas and layouts.
The course covers scientific animal illustration and the creative integration of human and animal elements in contemporary illustrations, using observation and copying techniques.