Digitale 2D-animatie
The Pospo 3
Een cursus van TRIMONO , Animators
Over de videoles: The Pospo 3
Samenvatting
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In deze videoles behandelt TRIMONO het onderwerp: The Pospo 3, dat deel uitmaakt van de online cursus van Domestika: Digitale 2D-animatie. Creer een animatie vol bizarre humor.
Gedeeltelijke transcriptie van de video
“Het volgende dat ik ga doen, is Set activeer de weegschaal met de s-sleutelset Eén invoerframe en één uitvoerframe Voeg over frame 7 een nieuwe kit toe Kadreer de eerste voor 0, zoals deze eruit komt te zien als 0 Hij neemt zijn grote positie min of meer in als hij dat is Hier geplaatst, voegt welk frame toe en verdwijnt Laten we eens kijken hoe de animatie eruit ziet En hierop passen we ons al aan Het is een beetje traag, alle frames zijn geselecteerd met de knop Misschien te snel vallen en opstaan Daar is het volkomen correct frei minder Oké, als we dit deze eerste ochtend als eerste hebb...”
Deze transcriptie wordt automatisch gegenereerd en er kunnen typefouten in staan.
Samenvatting van de cursus: Digitale 2D-animatie
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Categorie
3D en animatie -
Software
Adobe Flash -
Domeinen
Video, 2D-animatie, Animatie, Film, video en televisie, Fotografische postproductie, Motion Graphics, Ontwerp van personages, Storyboard

TRIMONO
Een cursus van TRIMONO
Paulo Mosca
Most of his work has been developed in the world of animation, as a director, art director, and character designer doing storyboards, animatics, and more. After first studying illustration in Coruña—which served only to learn this path was not for him—animation in Madrid, where he not only learned loads, but made lots of excellent professional contacts, as well as working on a lot of jobs that had nothing to do with art, he started to develop his own style of bizarre illustration that caught people's attention. It was then that he started getting small commissions here and there.
His first big job at a professional level was the headline for Season One of La Hora by Jose Mota, an extremely famous TV show in Spain, directed by Tomás Peña, in which he was in charge of the concept drawings, character designs, and backgrounds. Later, for Season Two, he was in charge of the co-direction of the masthead, together with Tomás Peña, along with the character design and artistic direction, always alongside Tomás. He then worked for a season doing storyboards and animatics for the TV series Jelly Jamm.
He currently teaches visual storytelling at UTAD (University of Technology and Digital Art) and at IED (Istituto Europeo di Design), which he combines with talks, advertising assignments, television etc. In reality, work horrifies him. He truly enjoys is reading comics, drinking beer, and listening to records.
Abel Sánchez
With a degree in fine arts, specializing in plastic arts, from the Complutense University of Madrid, his entire career has been as a designer, graphic artist, and post-producer in various multinationals such as Turner Entertainment, Sony, AMC, and Viacom, for creative departments both freelance and in-house.
In 1999, he founded Tricefalo Studio with his wife.
They currently work intensively on brand and content development for various television programs both nationally and internationally, combining it with advertising and anything that seems interesting and fun.
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