Digitale 2D-animatie
Storyboard, you do not have to know how to read 1
Een cursus van TRIMONO , Animators
Over de videoles: Storyboard, you do not have to know how to read 1
Samenvatting
“What the client asks you to sell and plan a job, but that they jump to the bullfighter when they want. ”
In deze videoles behandelt TRIMONO het onderwerp: Storyboard, you do not have to know how to read 1, dat deel uitmaakt van de online cursus van Domestika: Digitale 2D-animatie. Creer een animatie vol bizarre humor.
Gedeeltelijke transcriptie van de video
“Welnu, nu hebben we gezien hoe gedegenereerde kunstenaars Hoe we werken aan het concept van idee en script De volgende stap die we nu moeten doen is het storyboard En we gaan er eerst mee aan de slag voordat we aan het werk gaan. Omdat ik met tape werk, komt er veel warmte vrij Ik gebruik meestal een magische handschoen die je kunt kopen en die erg goedkoop is. En het is erg handig, zodat je hand niet zweet en het werken niet moeilijk wordt. Zodra we met onze ts 3 flitser voorbereid zijn en onze Speciale handschoen voor de cintiq kunnen we aan de slag Laten we eerst eens kijken wat een stor...”
Deze transcriptie wordt automatisch gegenereerd en er kunnen typefouten in staan.
Samenvatting van de cursus: Digitale 2D-animatie
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Categorie
3D en animatie -
Software
Adobe Flash -
Domeinen
Video, 2D-animatie, Animatie, Film, video en televisie, Fotografische postproductie, Motion Graphics, Ontwerp van personages, Storyboard

TRIMONO
Een cursus van TRIMONO
Paulo Mosca
Most of his work has been developed in the world of animation, as a director, art director, and character designer doing storyboards, animatics, and more. After first studying illustration in Coruña—which served only to learn this path was not for him—animation in Madrid, where he not only learned loads, but made lots of excellent professional contacts, as well as working on a lot of jobs that had nothing to do with art, he started to develop his own style of bizarre illustration that caught people's attention. It was then that he started getting small commissions here and there.
His first big job at a professional level was the headline for Season One of La Hora by Jose Mota, an extremely famous TV show in Spain, directed by Tomás Peña, in which he was in charge of the concept drawings, character designs, and backgrounds. Later, for Season Two, he was in charge of the co-direction of the masthead, together with Tomás Peña, along with the character design and artistic direction, always alongside Tomás. He then worked for a season doing storyboards and animatics for the TV series Jelly Jamm.
He currently teaches visual storytelling at UTAD (University of Technology and Digital Art) and at IED (Istituto Europeo di Design), which he combines with talks, advertising assignments, television etc. In reality, work horrifies him. He truly enjoys is reading comics, drinking beer, and listening to records.
Abel Sánchez
With a degree in fine arts, specializing in plastic arts, from the Complutense University of Madrid, his entire career has been as a designer, graphic artist, and post-producer in various multinationals such as Turner Entertainment, Sony, AMC, and Viacom, for creative departments both freelance and in-house.
In 1999, he founded Tricefalo Studio with his wife.
They currently work intensively on brand and content development for various television programs both nationally and internationally, combining it with advertising and anything that seems interesting and fun.
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