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    How to support creative women without hijacking the story (guide for brands and studios)
    Latest blog post

    How to support creative women without hijacking the story (guide for brands and studios)

    How to support creative female talent without falling into opportunism: guidelines for brands and studios. More and more brands, agencies and creative studios are expressing their intention to support female talent within industries such as design, illustration, photography or art direction. This interest responds to a reality: for decades, women have had less visibility, less access to leadership and less recognition in many creative sectors. However, a key question arises: how to support without falling into opportunism, purplewashing or appropriation of the discourse? It is not enough to launch a one-off campaign or join a conversation on specific dates. The challenge is to do it in an ethical, coherent and sustainable way. This article proposes practical guidelines for brands and studios to support creative women based on respect, responsibility and real commitment. The difference between supporting and capitalizing on a cause. Supporting means amplifying voices and generating opportunities. Capitalizing a cause means using it as a reputational tool without transforming internal practices. Appropriation of the narrative occurs when the brand is placed at the center of the narrative, using the feminist discourse as an aesthetic or strategic resource, but without ceding real space to the creators. Some common examples include one-off campaigns without continuity, empty inspirational messages or collaborations where the brand identity overshadows the invited professionals. It also happens when the external discourse does not correspond to the internal reality: salary gaps, absence of women in leadership or lack of equality protocols. Consistency between internal communication and practice is the basis of any genuine support. Without it, any action runs the risk of being perceived as opportunistic.

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Jacinta Besa González
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Jacinta Besa González

@jacintabesa

Tulsa, Chile

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  • Pablo Pablo Pablo Pablo @pablosalgadocas Concepción, Chile
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    • Ismael Sanchez Manzanero Ismael Sanchez Manzanero @issma_sm Mondéjar, Spain
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        • Mi Proyecto del curso: Pintura e ilustración realista con Procreate. Graphic Design project by Ismael Sanchez Manzanero - 10.27.2019
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        • Mi proyecto del curso: Diseño y encuadernación de sketchbooks. Traditional illustration, Arts, Crafts, Bookbinding, DIY, and Sketchbook project by Paula Escudero - 11.15.2022
        • Mi proyecto del curso: Dibujo de retratos llamativos con lápices de colores. Drawing, Portrait Drawing, Sketchbook, and Colored Pencil Drawing project by Paula Escudero - 10.29.2022
        • Mi Proyecto del curso: Sketchbook de paisajes: la espontaneidad del color. Sketching, Creativit, Pencil Drawing, Drawing, and Sketchbook project by Paula Escudero - 02.07.2022
        • Mi Proyecto del curso: Dibujo expresivo de la figura humana: explora formas y colores. Fine Arts, Pencil Drawing, Drawing, Portrait Drawing, Realistic Drawing, Figure Drawing, and Gouache Painting project by Paula Escudero - 01.08.2022
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        • Sergio Paredes Gallegos Sergio Paredes Gallegos @sergioparedesgallegos Tulsa, Chile
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        • Marcela Pacheco Weber Marcela Pacheco Weber @mpach1014 Chihuahua, Mexico
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          • Dalila. Watercolor portrait on fabriano paper. Watercolor Painting project by Marcela Pacheco Weber - 08.14.2023
          • Caracal . Watercolor Painting, and Naturalistic Illustration project by Marcela Pacheco Weber - 07.13.2023
          • Mapache lápiz grafito en papel canson . Traditional illustration, and Pencil Drawing project by Marcela Pacheco Weber - 05.29.2023
          • Rana. Lápiz grafito en papel canson. Pencil Drawing, Fine Arts, and Portrait Drawing project by Marcela Pacheco Weber - 05.06.2023
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