Introduction to Procreate
Course 5 – Layers: Development and finishing from a sketch 1
By Román García Mora , Illustrator and 3D Modeler
About the video: Development and finishing from a sketch 1
Overview
“In this practice we will refine and finish one of our sketches using a layering methodology that brings together everything we have learned in this lesson from the use of fusion modes, to the application of masks. It is a very versatile methodology that I use continuously in my day to day. ”
In this video lesson Román García Mora addresses the topic: Development and finishing from a sketch 1, which is part of the Domestika online course: Course 5 – Layers. Discover the importance of layers in the digital illustration workflow.
Partial transcription of the video
“PROCREATE COURSE 5 UNIT 7 Exercise: Development and Finishing from a Sketch Now I'll show you this layer workflow I apply to my illustration work. You'll be noticing that I use several Blend Modes. I link these layers together with Clipping Masks applying Alfa Lock to them. Let me show you how. We'll be refining a sketch using our layer work methods to create a more complex illustration. First thing, we need to lower this layer opacity. We're creating a new layer and we'll start creating in it a more detailed drawing. We can hide our sketch now and enable Multiply Mode in the layer with our...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 5 – Layers
Román García Mora
By Román García Mora
Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.
His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.
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