Introduction to Procreate
Course 5 – Layers: Application of layer fusion modes
By Román García Mora , Illustrator and 3D Modeler
About the video: Application of layer fusion modes
Overview
“In this lesson we will see an example of how to incorporate work with layers by applying Fusion Modes to our workflow, to achieve a particular effect. In this case we will simulate the effect of watercolor painting using a layer system based on the Multiply blending mode. ”
In this video lesson Román García Mora addresses the topic: Application of layer fusion modes, which is part of the Domestika online course: Course 5 – Layers. Discover the importance of layers in the digital illustration workflow.
Partial transcription of the video
“PROCREATE COURSE 5 UNIT 4 Application of Layer Blend Modes In this lesson, we're applying the Blend Modes to a real workflow creating a digital watercolor work. Let's begin. Our starting piece has a more or less defined linework on a Normal Mode Layer. We can lower the Opacity so that linework will move to the background. First, we're creating a layer. We're setting it on Multiply Mode. That's where we'll start adding our shadows. We'll be using a moderate gray. I'll be using an artistic brush here to work on my shadows. We can add more layers using Multiply Mode to add more depth to our sh...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 5 – Layers
Román García Mora
By Román García Mora
Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.
His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.
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