Introduction to Procreate
Course 4 – Adjustments Menu: Clone fit
By Román García Mora , Illustrator and 3D Modeler
About the video: Clone fit
Overview
“In this video I explain how to work with this new function added in the "Settings" tab with the Procreate 5 version, which allows us to clone elements within the same layer. Although at the moment it is a very basic cloning tool, it offers us new possibilities that we did not have available in previous versions.”
In this video lesson Román García Mora addresses the topic: Clone fit, which is part of the Domestika online course: Course 4 – Adjustments Menu. Learn how to apply filters and effects and edit your illustrations.
Partial transcription of the video
“PROCREATE COURSE 4 LESSON 6 Clone Tool In Procreate 5 a new setting was added, which offers the features of a basic cloning brush. When I select Clone, a circle appears that we can place anywhere in the image to mark the cloning origin. In the lower bar we can control the bush settings. We can select any brush from our Brush Library, and we can control the size and intensity of that brush. As you can see, as I move the brush, the clone origin moves following that brush. We can lock the cloning origin by keeping our finger on the circle until it flickers. As well as for cloning a source imag...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 4 – Adjustments Menu
Román García Mora
By Román García Mora
Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.
His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.
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