Introduction to Procreate
Course 3 – Actions Menu: Reference viewer
By Román García Mora , Illustrator and 3D Modeler
About the video: Reference viewer
Overview
“In this lesson, we will see how to use the Reference Viewer to import an image that allows us to develop our illustration. We will learn from where we can import the reference image and how we can navigate within the viewer and modify its appearance to suit our needs. Finally, we will see the new Face Paint function that allows us to map an illustration on our face. We will use a template to easily locate the main facial features and we will see how the result of our face painting can be exported.”
In this video lesson Román García Mora addresses the topic: Reference viewer, which is part of the Domestika online course: Course 3 – Actions Menu. Harness everything Procreate has to offer and take your drawings to the next level.
Partial transcription of the video
“PROCREATE COURSE 3 LESSON 11 Reference Companion With Reference Companion Face we can do face painting in Procreate. When activating this Face feature several things will happen. First of all, a preview of my face appears and as soon as it recognizes my face, we'll see these green crosses signifying points of the face to use as a reference for our drawing. Also, we'll see that in Layers, Background Color has Visibility turned off. That's because this function recognizes layer transparency. With this we can start painting and check the result in Reference Companion. To better understand how ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 3 – Actions Menu
Román García Mora
By Román García Mora
Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.
His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.
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