Introduction to Procreate
Course 2 – First Lines: Creation of digital sketches
By Román García Mora , Illustrator and 3D Modeler
About the video: Creation of digital sketches
Overview
“In this lesson, we will begin to fill our digital sketchbook with digital sketches, explore Procreate's pre-installed tools and make contact with the sensitivity of the Apple Pencil. They will be free theme sketches that we will make about the documents we created in the previous course, using only black and white and our textured halftone background. ”
In this video lesson Román García Mora addresses the topic: Creation of digital sketches, which is part of the Domestika online course: Course 2 – First Lines. Discover Procreate's brushes and tools and let your instinct take over.
Partial transcription of the video
“PROCREATE COURSE 2 UNIT 7 Exercise: Creation of Digital Sketches We'll be creating our first Procreate sketch in this lesson. We're going to be exploring our brush library and the tools Procreate offers. I recommend you choose a subject you like so you'll have fun working. Let's get to it. Let's get familiar with the Apple Pencil, with its pressure and inclination sensitivity. Here's our first illustration. Let's talk about what we can do with our Actions Tab. In our next course, you'll learn how to share our image or check a time-lapse of the process.”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 2 – First Lines
Román García Mora
By Román García Mora
Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.
His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.
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