Introduction to Procreate
Course 2 – First Lines: Introduction to drawing tools in Procreate
By Román García Mora , Illustrator and 3D Modeler
About the video: Introduction to drawing tools in Procreate
Overview
“In this lesson we will explain how the drawing tools are organized in Procreate. We will see how in addition to the tools that appear in the interface, this application includes others that are hidden and that are activated through a series of specific gestures, with the aim of reducing the number of elements in the drawing board.”
In this video lesson Román García Mora addresses the topic: Introduction to drawing tools in Procreate, which is part of the Domestika online course: Course 2 – First Lines. Discover Procreate's brushes and tools and let your instinct take over.
Partial transcription of the video
“PROCREATE COURSE 2 UNIT 1 Introduction to Drawing Tools In this Domestika course, we'll learn how to organize our drawing tools within the app. We'll talk about the ones in the interface and the ones we get through gestures. That way, we can get started with the app. First, we need to get acquainted with the three tools that work with brushes. These are the Brush, Smudge, and Eraser Tools. These three will work differently depending on the brush we choose from the Brush Library. Procreate has a simple interface. It keeps us focused on the illustration. Say we want to make geometrical shapes...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 2 – First Lines
Román García Mora
By Román García Mora
Román García is not only an illustrator but also a biologist, and since 2008, he has been working above all on scientific and informative illustration projects. His drawings have been published in acclaimed magazines including National Geographic and Quo Magazine. He also collaborates with the Real Jardín Botánico in Madrid to produce illustrations for the CSIC's Flora Iberica project.
His work consists of creating images of things that we cannot see because they belong to a past time, the world of imagination, or simply because they are not perceptible to the human eye. To achieve this, he uses digital illustration as the foundation for his work and combines it with traditional techniques, 3D modeling, and illustrative retouching.
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