Master 2D Animation in Procreate Dreams: Basics for Digital Art
Course 2: Getting Started with Procreate Dreams: Setting Up Your Canvas
By Brookes Eggleston , Character Designer and Animator
Joined April 2023
About the video: Setting Up Your Canvas
Overview
“Here, we’ll dive into setting up your canvas for animation. I’ll show you how to choose the proper resolution, adjust frame rates, and prepare your workspace for animation. You’ll learn how these settings affect the quality and flow of your animations.”
In this video lesson Brookes Eggleston addresses the topic: Setting Up Your Canvas, which is part of the Domestika online course: Course 2: Getting Started with Procreate Dreams. Mastering the interface and canvas setup..
Partial transcription of the video
“So there are two concepts that a lot of people are familiar with, but maybe not within the specific context of animation. So when we create a new document, which we can do by hitting the upper right-hand corner plus button there. Procreate Dreams gives us the option to set our resolution, and our FPS, or frames per second. So let's look at what that entails. Resolution is going to be both the dimensions of our final animation and how high the quality is. Now, unless you're working on a much older iPad where you notice significant slowdown or technical problems, There probably isn't any reas...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 2: Getting Started with Procreate Dreams
Brookes Eggleston
By Brookes Eggleston
Brookes Eggleston is a seasoned character designer and animator, best known for his educational work on Character Design Forge and his animated series 'Stormfellers'. With over a decade of experience in the industry, Brookes combines traditional and digital techniques, offering a unique perspective on animation and character creation. His background in graphic design, 3D modeling, and animation equips him with a diverse skill set, which he now shares through his teaching and content creation.
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