Introduction to Pro Tools
Course 6 – Plug-Ins and How to Work with Them: Effect Plugins 2
By Luca Petricca , Sound Technician and Music Producer
About the video: Effect Plugins 2
Overview
“Now that I've explained how convolution reverbs work and some of the most common pitfalls when using them, in this unit I'm going to dive deeper into reverbs and where I usually use them. Then I'll go on to explain other effects that affect modulation and distortion.”
In this video lesson Luca Petricca addresses the topic: Effect Plugins 2, which is part of the Domestika online course: Course 6 – Plug-Ins and How to Work with Them. Learn what plug-ins are, what types exist, and what they can bring to your music projects.
Partial transcription of the video
“COURSE 6 - UNIT 4 Effect plugins If we have them inserted, which I would choose in a few moments, we will have to play with the mix so that that sound, along with the amount of reverb, works, how we like it, and that all the equalization and compression, if it comes in front, better than behind, because behind the fluctuations of the reverb will affect that compression and unless it is an effect that you want, almost better all the processing before that inserted reverb. I mainly, for example, insert reverbs into unique things. For example, in a rock mix, normally my tambourine has its own ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 6 – Plug-Ins and How to Work with Them
Luca Petricca
By Luca Petricca
Luca Petricca is a sound technician and music producer with more than 20 years of experience, as well as the cofounder of Estudios Reno in Madrid. After ten years of freelance work as a mixer, associate producer, and technician for different producers in studios across Spain, he created Reno so he could focus on independent music, a section of the industry he connects with on a more personal and emotional level. He has mixed albums and songs for artists like Izal, Xoel López, and León Benavente.
When he's not running his studio or the FOH for live shows, he shares his knowledge of mixing as a professor at the United Pop school in Madrid. By teaching classes, he has found a way to help students interested in sound achieve more professional results and, ultimately, a more satisfying creative experience by showing them how to use a variety of tools and approaches in their work.
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