Introduction to Pro Tools
Course 2 – Tools and Edit Modes: Practice 2
By Luca Petricca , Sound Technician and Music Producer
About the video: Practice 2
Overview
“In this unit I will continue practicing with other tools. First, I will edit all the starts of my audio tracks to ensure the cleanliness of my session. Then I will show you how to mute a part of the track to avoid having to cut and there is no going back. Also—just for practice—I'll show you how to delete an entire chorus.”
In this video lesson Luca Petricca addresses the topic: Practice 2, which is part of the Domestika online course: Course 2 – Tools and Edit Modes. Discover the main menus and how to get the most out of its features.
Partial transcription of the video
“COURSE 2 - UNIT 6 Practice Well, let's choose other tools that allow us to practice. At first, the first thing that comes out for me is to edit with my bracket and in Slip mode, which allows me to get out of the grid, all the starts of the audios. I'm going to look at the lead of my first drum hit and I'll take it right here. If I already have the Smart tool, I can even do the fade in. Again, we go back with the R and we can directly take the bracket and take it here, and again clean. To make this entry more extensive and see where that guitar with reverb really comes in, I will expand with...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 2 – Tools and Edit Modes
Luca Petricca
By Luca Petricca
Luca Petricca is a sound technician and music producer with more than 20 years of experience, as well as the cofounder of Estudios Reno in Madrid. After ten years of freelance work as a mixer, associate producer, and technician for different producers in studios across Spain, he created Reno so he could focus on independent music, a section of the industry he connects with on a more personal and emotional level. He has mixed albums and songs for artists like Izal, Xoel López, and León Benavente.
When he's not running his studio or the FOH for live shows, he shares his knowledge of mixing as a professor at the United Pop school in Madrid. By teaching classes, he has found a way to help students interested in sound achieve more professional results and, ultimately, a more satisfying creative experience by showing them how to use a variety of tools and approaches in their work.
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