Introduction to Rhinoceros 3D
Course 4: Surfaces, Solids, and Boolean Operations: Boolean operations
By Diego Fernández , Industrial Designer and Teacher
About the video: Boolean operations
Overview
“In the previous unit we drew some solids in Rhino. In this unit we are going to see what operations we can do between them through the solid tools menu. As we are seeing throughout these courses, in Rhino there is no single way of doing things, but by different ways we can get similar results. The one of the operations between solids or Boolean is one of these ways.”
In this video lesson Diego Fernández addresses the topic: Boolean operations, which is part of the Domestika online course: Course 4: Surfaces, Solids, and Boolean Operations. Learn how different shapes interact to add details and create new elements..
Partial transcription of the video
“INTRODUCTION TO RHINOCEROS / COURSE 4 UNIT 4 Boolean operations Now that we have drawn our first solids, we are going to see the Boolean operations that we can do between them. We will find the Solid tools menu by displaying this command. As always, we will find that arrow. We deploy this folder and we are going to see the different commands we have within this menu. Solid tools allow us to work between solids. We will understand your logic and then we will see in a specific example how can we use it. It is another work methodology different from the one we have been seeing generation of su...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 4: Surfaces, Solids, and Boolean Operations
Diego Fernández
By Diego Fernández
Diego Fernández was born in Buenos Aires, Argentina and has made a career out combining his passion for industrial design with teaching. Since 2003, he has been teaching morphology applied to industrial design in the Architecture, Design, and Urban Planning Department at the University of Buenos Aires He also has an impressive portfolio of design work including home and office furniture, advertising architecture and packaging, and toy and candy design.
Diego doesn’t like to be static and is continually developing conceptual and technical tools to improve his work. He subscribes to the idea that professional formation must be consistent, as evidenced by his latest endeavor into digital sculpting.
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