Introduction to Rhinoceros 3D
Course 3: Editing Tools: Checkpoints
By Diego Fernández , Industrial Designer and Teacher
About the video: Checkpoints
Overview
“In this unit I am going to explain to you how to edit the lines that we drew in the previous lessons by managing their abstract structure, which in Rhino are the control points. Understanding how the geometry of the curves depends on their control point structure, we will be able to think of new ways to modify and edit them. ”
In this video lesson Diego Fernández addresses the topic: Checkpoints, which is part of the Domestika online course: Course 3: Editing Tools. Edit your units and organize your workspace to optimize your modeling process..
Partial transcription of the video
“INTRODUCTION TO RHINOCEROS / COURSE 3 UNIT 5 Control points Let's see how to edit the units that we have been drawing through its structure and its control points. We will be able to find the control points menu on these two toolbars. We will have as a quick access Show curves edit points and Points off. And this one, Show object control points and Points off. The control points in Rhino can be imagined as an underlying structure to the various entities that we are drawing in Rhino. By left clicking with the "mouse", we see how these points appear with these dotted lines. These points that ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 3: Editing Tools
Diego Fernández
By Diego Fernández
Diego Fernández was born in Buenos Aires, Argentina and has made a career out combining his passion for industrial design with teaching. Since 2003, he has been teaching morphology applied to industrial design in the Architecture, Design, and Urban Planning Department at the University of Buenos Aires He also has an impressive portfolio of design work including home and office furniture, advertising architecture and packaging, and toy and candy design.
Diego doesn’t like to be static and is continually developing conceptual and technical tools to improve his work. He subscribes to the idea that professional formation must be consistent, as evidenced by his latest endeavor into digital sculpting.
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