Introduction to Rhinoceros 3D
Course 1: Introduction and Basic Concepts: To practice!
By Diego Fernández , Industrial Designer and Teacher
About the video: To practice!
Overview
“With the introduction to drawing lines and curves that we did in unit six, we are going to do a free drawing practice in the different viewports to familiarize ourselves with the mechanics of two-dimensional drawing in Rhino. ”
In this video lesson Diego Fernández addresses the topic: To practice!, which is part of the Domestika online course: Course 1: Introduction and Basic Concepts. Understand Rhino’s 3D environment and work mechanics to start modeling.
Partial transcription of the video
“INTRODUCTION TO RHINOCEROS / COURSE 1 UNIT 8 Let's practice! With the contents seen so far, In this unit we will do a free drawing practice. Let's open a blank Rhino file. We are going to position ourselves in the Top view and we are going to double click to maximize it. Let's click on the triangle in the line menu and we are going to leave it floating which is the one we will be practicing and the same with the curves menu. Let's start drawing some lines with a little more rigor as to where we will draw them, lengths and location in space. In this case, I already chose the Single Line comm...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 1: Introduction and Basic Concepts
Diego Fernández
By Diego Fernández
Diego Fernández was born in Buenos Aires, Argentina and has made a career out combining his passion for industrial design with teaching. Since 2003, he has been teaching morphology applied to industrial design in the Architecture, Design, and Urban Planning Department at the University of Buenos Aires He also has an impressive portfolio of design work including home and office furniture, advertising architecture and packaging, and toy and candy design.
Diego doesn’t like to be static and is continually developing conceptual and technical tools to improve his work. He subscribes to the idea that professional formation must be consistent, as evidenced by his latest endeavor into digital sculpting.
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