Introduction to Rhinoceros 3D
Course 1: Introduction and Basic Concepts: Work planes, snaps, and display modes
By Diego Fernández , Industrial Designer and Teacher
About the video: Work planes, snaps, and display modes
Overview
“In this unit we are going to understand how are the rules that we can apply to drawing to be able to represent objects accurately from the beginning and then generate 3D objects that are also accurate and well modeled.”
In this video lesson Diego Fernández addresses the topic: Work planes, snaps, and display modes, which is part of the Domestika online course: Course 1: Introduction and Basic Concepts. Understand Rhino’s 3D environment and work mechanics to start modeling.
Partial transcription of the video
“INTRODUCTION TO RHINOCEROS / COURSE 1 UNIT 7- Work planes, snaps and display modes. In this unit we will see the work planes, snaps and display modes. As we saw in previous lessons, what we see in each viewport as a reference grid it is a work plane. Here we see it in the Top view, in Front view, in Right view and also in the perspectives. In each one what we see is a single plane, but what is really happening conceptually is this and what we actually have in the workspace is the intersection of these three planes. So if we see it from the top view what we are going to be seeing is the work...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 1: Introduction and Basic Concepts
Diego Fernández
By Diego Fernández
Diego Fernández was born in Buenos Aires, Argentina and has made a career out combining his passion for industrial design with teaching. Since 2003, he has been teaching morphology applied to industrial design in the Architecture, Design, and Urban Planning Department at the University of Buenos Aires He also has an impressive portfolio of design work including home and office furniture, advertising architecture and packaging, and toy and candy design.
Diego doesn’t like to be static and is continually developing conceptual and technical tools to improve his work. He subscribes to the idea that professional formation must be consistent, as evidenced by his latest endeavor into digital sculpting.
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