Adobe Photoshop for Matte Painting
Course 1: Basic Principles: Keyboard shortcuts: what are they and how to create them
By David Vega Palacios , Graphic Designer
Joined November 2019
About the video: Keyboard shortcuts: what are they and how to create them
Overview
“Quick access to the program's functions is essential if you want to work in a much faster and more efficient way. In this unit I will teach you how to create keyboard shortcuts for the functions and tools that you use frequently.”
In this video lesson David Vega Palacios addresses the topic: Keyboard shortcuts: what are they and how to create them, which is part of the Domestika online course: Course 1: Basic Principles. Initial concepts for matte painting and Photoshop.
Partial transcription of the video
“In this lesson. we will discuss keyboard shortcuts and how to create them. Let's delve into this topic and What we're about to explore is one of my favorite aspects of using Photoshop. as it allows us greater and flexibility in our interaction with the software. Mastering keyboard shortcuts can significantly enhance or key combinations that enhance productivity by allowing quick access to tools and options within the application. thus improving workflow efficiency. These shortcuts are essential for optimizing your interaction with the software. enabling you to work more effectively and seam...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 1: Basic Principles
David Vega Palacios
By David Vega Palacios
Peruvian-born David Vega is passionate about the entire creative and transformational process of a photo-compositional project. Founder of MIDAS studio, he dedicates his time to creating impossible images in a fast-paced, constantly evolving environment.
He has collaborated with brands like Toyota, Movistar, Mitsubishi, Nissan, Coca-Cola, Scotiabank, UPC, Oreo, Backus, Renault, Cartavio, Honda, Ford, and many other brands and advertising agencies. In 2019, he made the “200 Best Digital Artists” list from Lürzer’s Archive.
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