Adobe Photoshop for Concept Art
Course 6 - Creating a Professional Concept Art: Polished
By Nacho Yagüe , Concept Artist
About the video: Polished
Overview
“Now we can only continue painting, polishing and continue using the techniques we have been seeing. In this phase we will make the changes that we consider necessary. ”
In this video lesson Nacho Yagüe addresses the topic: Polished, which is part of the Domestika online course: Course 6 - Creating a Professional Concept Art. Finalize your concept art project with linework, color, texture, and lighting.
Partial transcription of the video
“PHOTOSHOP FOR CONCEPT ART COURSE 6 UNIT 6 Polishing At this stage, we'll just keep painting and polishing any details we want to improve on. Now you can make any changes you find necessary. Let's take a look. I want to make some changes now. Some areas in the face could use some improvement and I want to start adding more elements. New Layer. First, I want to cut this part of the mask. I figured it'd look better broken. I'll collapse the silhouette layer, I'll move to the mask layer to cut it a bit. I'll remove it with Delete. I need to erase the linework area. Now I'll just start painting ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 6 - Creating a Professional Concept Art
Nacho Yagüe
By Nacho Yagüe
Nacho Yagüe began his career as a concept artist working for different Spanish studios, including Tragnarion and GRIN, where he participated in projects such as Wanted: Weapons of Fate. He continued his career at Ubisoft Barcelona, serving as art director and concept artist. By 2011, he had begun working abroad, taking part in the development of Assassin's Creed 3: Liberation at Ubisoft Sofia in Bulgaria.
He also worked as a senior concept artist at Ubisoft Toronto through 2017, creating the artwork for renowned video games such as Splinter Cell: Blacklist, Assassin's Creed Unity, and Watch Dogs 2. He later returned to Barcelona to join Gameloft as the studio's art director.
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