Introduction to Avid Media Composer
Course 1 - Introduction to Avid: The Avid codecs and formats
By Raúl Barreras , Film Editor
About the video: The Avid codecs and formats
Overview
“To get the most out of Avid we must work with their own codecs and formats. We will know what they are and where we can find them, as well as the utility of transcoding our files.”
In this video lesson Raúl Barreras addresses the topic: The Avid codecs and formats, which is part of the Domestika online course: Course 1 - Introduction to Avid. Basic concepts and interface.
Partial transcription of the video
“Introduction to AVID COURSE 1 LESSON 6 AVID Proprietary Codecs and Formats In this lesson we will know the codecs, what they are and which ones Avid provides us to work in a more fluid way. We will also see the formats. I teach them to you. When we work on audiovisual projects of a certain magnitude, with a lot of material shot or generated, we always want to transcode our images for smoother editing. transcoding consists of passing from one format to another, that is, change the format and encoding of the file so that in this way, when translating the contents, we are allowed to edit in a ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 1 - Introduction to Avid
Raúl Barreras
By Raúl Barreras
Raúl Barreras is a professional film editor from Bilbao, Spain. He is passionate about cinema and whenever he had to make decisions as a student, he directed himself towards where he believes the heart of movies beat—the editing. After studying at the Cuban film school EITCV, he has worked on the edition of 11 fiction and documentary films between Spain, Mexico, and the Dominican Republic.
He has edited fiction films including Los tontos y los estúpidos, selected for the San Sebastián International Film Festival, and documentaries such as Parque LENIN, winner of the Best Film Award at the Moscow International Film Festival, all of them put together with Avid Media Composer, one of the software with the greatest possibilities for editing any audiovisual project.
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