Miguel A. Pérez

The memory of concepts, formulations and premises of Arheim, Kandinski and others... although these two are the most influential for me, they led me to reformulate my work. Changing the title of photographer, for designer with a photographic tool, was imposed. Architecture, with a profusion of lines, planes, shapes...was the ideal substrate to develop myself. In addition, digitalization would give me the possibility of changing the weights of the images, their color interactions and, ultimately, turning an apparent reality into a deeper one that has not been experienced until now.
The satisfaction of organizing variables in a coherent and balanced way had been rescued from that dark corner in the storage room, thus giving birth to a new hope.
Composing throbs in the center of my Being. A deaf but thunderous sound lifts me above appearances and reconciles me with myself and with the world.