Retro ruch w After Effects

Projekt końcowy kursu

Kurs prowadzi Joseba Elorza , Animator and Illustrator

99% pozytywnych ocen (497)

Liczba uczestników: 9.186

Audio: Hiszpański

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O projekcie końcowym kursu: Retro ruch w After Effects

Old-fashioned digital animation

“We have reached the end, the poster of "The End" we could see in the classic movies. But before saying goodbye, let's review all the steps we have followed in this course: > Search for inspiration and references. > Compilation of old photos. > Search of old videos. > Simple structure of the video. > Silhouetted of the photos. > Cut out the videos with rotoscoping. > Import material into After Effects. > Basic review to After Effects. > Animate photos and videos. > Retouching of color and texture. > Render the video and upload it to the internet. I hope you have enjoyed the course as much as I have done preparing it. Now comes the part in which you carry out your project and you surprise us all. Cut, hit and cheer! See you on the forums! ”

Podsumowanie kursu: Retro ruch w After Effects

Poziom: Podstawowy
99% pozytywnych ocen (497)
Liczba uczestników: 9186
Liczba części dydaktycznych: 4
14 lekcji (2 h 37 min)
liczba dodatkowych zasobów: 7

Kategoria
3D & Animacja
Oprogramowanie
Adobe After Effects, Adobe Photoshop
Dziedziny
Animacja, Kolaż, Motion graphics, Edycja filmów, Kino, film i telewizja, Postprodukcja audio-wideo, Postprodukcja fotograficzna

Joseba Elorza

Kurs prowadzi Joseba Elorza

Prowadzący Plus

Animator and Illustrator

Joseba Elorza is originally from Vitoria-Gasteiz. He studied to become a sound technician, then spent a few lackluster years in art school. It was among all of this synesthetic jumble that MiraRuido emerged: He used to spend the morning immersed in sound at a radio station and at night working on his collages. Little by little, the visual part triumphed and he currently makes a living as an illustrator specialized in collage and also as a digital animator, a new field that has filled his work with possibilities.

His illustrations have been seen in publications like Esquire, New Scientist, and the Wall Street Journal, and the videos he makes are for online consumption, promotion for music groups, although some have made it to television.