It is a project from 2005, which I photographed in long days while waiting for the clouds since the direct sun made it impossible to photograph the aluminum of the facade cladding. The photograph of the goats was an everyday scene, what was really strange was the new building.
It was a project that I published in more than fifteen countries and I have counted about ten covers, a milestone for the place it occupied then in the national scene. I always remember it as the report that made me realize that patience was one of the great allies of any creator.
I did it with a Sinar f2 on Provia 100F 10x12cms slide plates with Sinaron and Rodenstock optics. The memories of the landscape, the neighbors, the heat, the smell of mud, the talks with Luis the goatherd, are indelible and experiences that without knowing it, modify our way of seeing the world.
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duprez
TeacherWow, the contrasts that are created are spectacular. And with the sheep, great.
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jesusgranada
Teacher PlusIt is a project from 2005, which I photographed in long days while waiting for the clouds since the direct sun made it impossible to photograph the aluminum of the facade cladding. The photograph of the goats was an everyday scene, what was really strange was the new building.
It was a project that I published in more than fifteen countries and I have counted about ten covers, a milestone for the place it occupied then in the national scene. I always remember it as the report that made me realize that patience was one of the great allies of any creator.
I did it with a Sinar f2 on Provia 100F 10x12cms slide plates with Sinaron and Rodenstock optics. The memories of the landscape, the neighbors, the heat, the smell of mud, the talks with Luis the goatherd, are indelible and experiences that without knowing it, modify our way of seeing the world.
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