Well, after Antonio's videos, it wasn't that difficult, although I imagine I made millions of mistakes. I only had one light, so I took several photos, changing the light from place to place. The first one you see I did with a 60x60 window, 1/125 ISO 100 F8. I used the photometer, which turned out to be very practical and saved me a million tests. I used a gray vinyl background, which cost me a lot and I'm very unhappy about it because it gives me a lot of shine. As I props up a red armchair that I had at home, and a two-euro hat that I bought on ebay, I asked the model for a very simple makeup, but some intense red lips, which fit very well with the armchair and contrast a lot with her skin so white. I looked for a direct light, slightly to my right so that the face had a little shadow on the left and was not totally flat. The second photo, in black and white, I used a strib box, but without a honeycomb, I don't have, I put the side light and did the measurement for 1/125 ISO 100 F8, and I took the photo from the shadow side to create an intimate atmosphere. Please comment a lot, I want to learn as much as possible. Thank you
I liked your photos very different from each other and it is clear that you have taken advantage of the Course. Soon I hope to be able to do it tb if time allows me.
Hello, I have loved both photos, the second a little more than the first; What lens have you used and camera? (Although I'm more interested in the lens, to give me an idea of which to buy), I'm just a hobbyist looking for knowledge. About both photos I can say that the second if I notice the sphere of intimacy that you want to print, the pose of the model's arm gives it that touch so as not to be too simplistic. Best regards.
Thank you very much Daniel. In the first I used a 50mm and in the second an 85mm. I have a canon 5d mark III. Most of my goals are fixed. I started buying small zooms and when I could I changed them for fixed lenses.
A hug
Hi, I think it's a very good job. I really liked both photos, especially the lighting of the second photo, with very soft shadows. A great job. Greetings.
The 2 photos seem impressive to me, to put some but, the very strong blacks in the first one and I don't know if you have highlighted the light from the face or it is simply that the flash was stronger there. Have you used any processing techniques for the skin? I said at the beginning, to put a few downsides, a spectacular job :)
Thanks, no, I did not highlight the light on the face, I sure went with the flash or maybe the makeup of the girl and yes, I edited the skin with photoshop, well, the idea was model photography, so I thought I should have one perfect skin, I don't do it in wedding photography for example. Thank you very much for your words. Greetings, Ana
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Well, after Antonio's videos, it wasn't that difficult, although I imagine I made millions of mistakes. I only had one light, so I took several photos, changing the light from place to place. The first one you see I did with a 60x60 window, 1/125 ISO 100 F8. I used the photometer, which turned out to be very practical and saved me a million tests. I used a gray vinyl background, which cost me a lot and I'm very unhappy about it because it gives me a lot of shine. As I props up a red armchair that I had at home, and a two-euro hat that I bought on ebay, I asked the model for a very simple makeup, but some intense red lips, which fit very well with the armchair and contrast a lot with her skin so white. I looked for a direct light, slightly to my right so that the face had a little shadow on the left and was not totally flat. The second photo, in black and white, I used a strib box, but without a honeycomb, I don't have, I put the side light and did the measurement for 1/125 ISO 100 F8, and I took the photo from the shadow side to create an intimate atmosphere. Please comment a lot, I want to learn as much as possible. Thank you
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gabrielmartinezgeijo
I liked your photos very different from each other and it is clear that you have taken advantage of the Course. Soon I hope to be able to do it tb if time allows me.
Cheers
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danielshl023
Hello, I have loved both photos, the second a little more than the first; What lens have you used and camera? (Although I'm more interested in the lens, to give me an idea of which to buy), I'm just a hobbyist looking for knowledge. About both photos I can say that the second if I notice the sphere of intimacy that you want to print, the pose of the model's arm gives it that touch so as not to be too simplistic. Best regards.
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Thank you very much Daniel. In the first I used a 50mm and in the second an 85mm. I have a canon 5d mark III. Most of my goals are fixed. I started buying small zooms and when I could I changed them for fixed lenses.
A hug
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pacopalacios
Hi, I think it's a very good job. I really liked both photos, especially the lighting of the second photo, with very soft shadows. A great job. Greetings.
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andresypia
The 2 photos seem impressive to me, to put some but, the very strong blacks in the first one and I don't know if you have highlighted the light from the face or it is simply that the flash was stronger there. Have you used any processing techniques for the skin? I said at the beginning, to put a few downsides, a spectacular job :)
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Thanks, no, I did not highlight the light on the face, I sure went with the flash or maybe the makeup of the girl and yes, I edited the skin with photoshop, well, the idea was model photography, so I thought I should have one perfect skin, I don't do it in wedding photography for example. Thank you very much for your words. Greetings, Ana
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